Thursday, November 28, 2013

Opening Black Friday: Thoroughly Modern Millie Jr. Presented by Journey Theater Arts Group

Journey Theater Arts Group presents THOROUGHLY MODERN MILLIE JR., based on the zany contemporary musical that took Broadway by storm, is the high-spirited musical romp that has all of New York dancing the Charleston!

In New York City, 1922, young Millie Dillmount has just moved to the big city in search of a new life for herself. It’s a New York full of intrigue and jazz – in a time when women were entering the workforce and the rules of love and social behavior were changing forever.

Filled with fun flappers, dashing leading men and a dragon-lady of a villainess audiences will love to hate, THOROUGHLY MODERN MILLIE JR. is a perfectly-constructed production of madcap merriment. Based on the classic movie, the stage version includes a full score of new songs and bright dance numbers. With the role of Millie Dillmount, musical theatre has found a new heroine for the ages in THOROUGHLY MODERN MILLIE JR.!

Opening, tomorrow, the day after Thanksgiving, THOROUGHLY MODERN MILLIE JR. will be a great holiday outing for families! Performances are November 29 through December 8 at The Washburn Performing Arts Center at Washougal High School.

Tickets are on sale now at www.JourneyTheater.org or by calling 360.750.8550. Pre-sale adult tickets are $12. Youth and senior tickets are $10. The November 30, 7 p.m. showing is a “family day” performance with all tickets $10 in advance. Tickets for all performances will be $3 more at the door. Best for ages 8 and up.

A School Day Performance will be offered at 10 a.m. on Thursday, December 5. Tickets are $6 each for groups of 10 – 99 and $5 each for groups of 100 or more, with one free ticket for every 15 purchased. Call our office to arrange to bring your class or home school group!

About Journey Theater Arts Group:

Journey is the most dynamic theater arts program in the Portland/Vancouver area, offering dozens of classes in drama, dance, voice and more, as well as producing 12 shows in four locations during the school year and a professional-level community theater musical each summer. Journey strives for excellence, while providing a welcoming and encouraging environment where kids ages 6 to 18 and their families can build life-long skills and friendships. Journey is a 501(c)3 nonprofit educational organization, with offices located at 1400 NE 136th Ave, Suite 201, Vancouver WA. Contact at 360.750.8550 orwww.journeytheater.org.



Monday, November 25, 2013

Jumpstart Vancouver's Performing Arts

Wouldn't it be nice?
We all want a Vancouver Performing Arts Center, so that's what we say. That's not something that will happen because of wishful thinking. There will need to be PROOF that we actually need one--and action. Well, the time to take action is now!

A performing arts center will arise out of NEED. And a few small theater companies struggling to find a home just isn't enough to show that need. It's time to stop whining and make a show! There needs to be "proof in the pudding" so to speak.

It's All About Space


Yes, the space needs to accommodate everyone. We need a large space (3,200 seats), a small space (maybe 300 seats) and a black box space (seating a hundred or so) housed together with rehearsal space as well. That should make a place for everyone. BUT, the problem (besides funding) is that no one is attempting large enough shows to make the cornerstone space (the large theater) viable.

Well, there are the efforts of WHITE TIGER ENTERPRISES, LLC, a new arts company consisting of two production companies (Balding Eagle Productions and Little One Music and Theatrical), attempting a first-class, full-scale original musical known as THIS CHILD.

THIS CHILD is the kind of professional production that screams BIG THEATER. It may be the first of such attempts in the city (since Peanut Gallery many years ago). It is certainly the kind of thing we have moved away from in order to manage budgets and turn a profit. Rather than fold up the tent and pack it all in, we've scaled back and played our cards close to the table. And our city has suffered for it. We are stepping backward rather than moving forward, my friends. That's NOT going to make things happen.

Ready to Launch


We need to step up to the launching pad! White Tiger Enterprises is attempting to do just that. They exist to build the rocket that will take us to the moon and beyond. Supporting that mission will launch our city into the cosmos. No longer will we be comfortable merely maintaining low altitude orbit, always in fear that we will decay into the atmosphere and burn. We will reach for the stars!

Your support of the THIS CHILD production project will launch us into a new age. The production and success of this project will build the infrastructure for other projects of this nature. That is the design and goal of White Tiger. It doesn't stop with a single production; it opens the door for many more. AND it paves the way to the stars--to our own Vancouver Performing Arts Center.

It all HAS to begin with something...with someone...and YOU can be a part of making it happen.

It can happen now, if you will believe and ACT. Your support of THIS CHILD is support for a Vancouver Performing Arts Center. Think about it...and ACT today by supporting the THIS CHILD Kickstarter campaign...before it's too late.


Friday, November 22, 2013

In Addition: New Openings at a Theater Near You, Just in Time for the Holidays

MACBETH, the Shakespeare tragedy, opens tonight, November 22 at Evergreen High School at 7 p.m. and also plays tomorrow night. The Bard's bloody classic is presented  with a contemporary twist by the school's theater department in their auditorium, 14300 NE 18th. Tickets are $7 or $5 for students. For more information call 360-604-3716 or see www.ehsdrama.com.

THE MATCHMAKER, Thornton Wilder's classic comedy, will also be presented by Washougal High School at 7 p.m. tonight and tomorrow night at the Washburn Performing Arts Center, 1201 39th St. in Washougal, Wash. Tickets are $6 or $5 for students and seniors. Call 360-954-3136 for more information.

COMING SOON:


UH, OH, HERE COMES CHRISTMAS, based on Robert Fulgram's book, and adapted to stage by David Caldwell and Ernest Zulia, and presented by Rising Star Productions, will open December 6 in at the Rising Star Theater in Kelso, Wash. All performances are presented in their space at the Three Rivers Mall; December 6, 7, 13, 14, 20 and 21 at 7:30 p.m. with additional matinees on December 14 and 21 at 2 p.m. Tickets are $10 general, $5 for children (12 and under) and $8 for seniors (65+). Tickets at: http://www.risingstarproductions.org/tickets.html Keep an eye peeled for our upcoming review.

TUNA CHRISTMAS also opens at Longview's Stageworks Northwest December 6 and runs through December 29. Shows are Friday and Saturday at 7:30 p.m. and Sundays at 2 p.m.

In this hilarious sequel to (the also hilarious) "Greater Tuna," it's Christmas in the third smallest town in Texas. Radio station OKKK news personalities Thurston Wheelis and Arles Struvie report on various Yuletide activities, including hot competition in the annual lawn display contest. In other news, voracious Joe Bob Lipsey's production of "A Christmas Carol" is jeopardized by unpaid electric bills. Many colorful Tuna denizens, some you will recognize from "Greater Tuna" and some appearing here for the first time, join in the holiday fun. All seats are $12. Click here for tickets. And watch for our review, too.



Magenta's Improv Theater (MIT) opens their Christmas Improv the following week on December 13 at the Magenta Theater, 606 Main St. in Vancouver. MIT gets into the (family-friendly) Holiday Spirit with a very special weekend of seasonal inspired holiday shows! Join them as they spice up their improv and sprinkle it with some extra special musical goodness! Featuring a few special guest musicians from Magenta’s own Bad Agent Band, they will make you laugh, chuckle and guffaw, and maybe even sing-along or hum a happy tune!

And let’s not forget the Kids! They will also have a special matinee show just for them! It’s a special Kids inspired MIT show filled with lots of fun and games destined to trigger fits of kid-sized giggles (and laughs for the grown-ups, too)!

Presented Friday, December 13 at 7:30 p.m.; Saturday, December 14 at 7:30 p.m. Doors Open at 7:00 p.m. Evening Shows General Admission Seating Tickets are $12. The Kid's Matinee is Saturday, December 14 at 2 p.m. at tickets are $8 for adults and $5 for children (12 and under). For information visit their website. Tickets Available Now - Click Here.

THE TRIAL OF EBENEZER SCROOGE, by Mark Brown, will be presented in cooperation with Woodland's Love Street Playhouse and Longview's Columbia Theatre, December 19 through 22. There are five shows, three evening and two matinee.

A year after his miraculous transformation, Scrooge is back to his old ways, suing Marley and the Ghosts. Directed by Melinda Leuthold, with a great talent line-up, this "Trial of the Century," is sure to bring laughs (and insight). Performances are at the Columbia Theatre for the Performing Arts in Longview and tickets are $16.50 to $21.50. Maybe that seems a bit on the high side, but based on the quality of Love Streets past productions and the class of this historic (and new renovated) theater it will be money well spent.

For more information and a link to the ticketing site click here. And be sure to watch this blog for our upcoming feature story and review (the Friday following Thursday's opening).




Monday, November 18, 2013

GRIMM Sponsors Meals for Monologues Event

This from the KOIN TV site:

"Cast Iron Studios is putting on its popular Meals for Monologues event next month. In exchange for the chance to audition, people must bring at least two cans of food. All donations go to the Oregon Food Bank. Organizers hope to collect more than 1,000 pounds of food."

Click here to find out more about entering or viewing the event.

Saturday, November 16, 2013

REVIEW: BGDC's "To Kill a Mockingbird," Killer

The debut show of the new Battle Ground High School Drama Club is "To Kill A Mockingbird" and the students did a killer job.


The Book


Based on the classic book (often assigned high school reading) written by Harper Lee , "The adaptation we are doing," says director Stephen 'Cash' Henry, "is Christopher Sergel’s adaptation with Jean Louise 'Scout' Finch as the narrator about thirty years after the book and play are set [1930s]."

Editor's Note: Dennis Sparks directed this adaption in the '90s, which, at the time, had Maude, Scout's teacher, as the Narrator. He wrote to the adapter and told him that it is Scout's story and that Scout, as an adult, should be doing the narrations. The playwright changed it in later versions and the OSF show which Sparks later reviewed had that change.

Clifford Armstrong as Atticus, Brendan Groat as Dill, 
Bailey Baxter as Scout and Markus King as Jem.
From Wikipedia: To Kill a Mockingbird is a novel by Harper Lee published in 1960. It was immediately successful, winning the Pulitzer Prize, and has become a classic of modern American literature. The plot and characters are loosely based on the author's observations of her family and neighbors, as well as on an event that occurred near her hometown in 1936, when she was 10 years old.

"The novel is renowned for its warmth and humor, despite dealing with the serious issues of rape and racial inequality. The narrator's father, Atticus Finch, has served as a moral hero for many readers and as a model of integrity for lawyers. 

Clifford Armstrong as Atticus.
"One critic explains the novel's impact by writing, 'In the twentieth century, To Kill a Mockingbird is probably the most widely read book dealing with race in America, and its protagonist, Atticus Finch, the most enduring fictional image of racial heroism.'"

I wasn't particularly enthralled with the book as the narrative language and voice, to me, does not reflect that of a six year-old from whose perspective the story is told. It might be argued that, like the device used in the play, the story is told from the adult Scout's view, many years after the incidents took place. Okay, I'll bite.

The Play


Markus King as Jem, Bailey Baxter as Scout, 
Kira Wirt as Calpurnia.
I also am not particular enthralled with this as a dramatic device either, as the play then becomes heavily narrative--like reader's theater--and tells much rather than shows. I feel it could be better presented with less commentary, even though this version is not as narrator-heavy as the last version I saw.

I think one of the reasons for this is that many adapters have fallen in love with the prose rather than the story. I think that all needs to be pushed out of the way. Nuff said, let's talk about the production.

The Performances


Clifford Armstrong as Atticus, Cody Bronkhorst as 
Judge Taylor, Sarah Russell as Mayella Ewell.
I felt the performances were generally good especially since much of the cast is new to the stage. I mostly felt the strain of the actors playing outside their age. Again, to reiterate, the dialogue from Scout written in the book (and transferred to the play) is not realistic, but that has nothing to do with what I'm saying.

None of the characters in this story are of high school age, so all the players either played someone older or younger than themselves. Only Emily Pulley, Sarah Russell (close to the age she played) and Markus King pulled it off.

Overall the acting was good, but those were the standouts. I especially liked  Sarah Russell's courtroom outburst as Mayella Ewell (a hard role to play). And I should mention that even though Clifford Armstrong played Atticus Finch a bit stiff and cold for me, I found his courtroom monologue absolutely splendid.

I was particularly impressed overall with Markus King's performance. He was exceptional--a truly great actor that I'd like to see more of. I should also say that I enjoyed Bailey Baxter. She has a great stage presence and had some good expression and physicality (though I didn't buy her performance as a six-year-old).

The Production


Production values were good. The director (Stephen 'Cash' Henry) did a fine job of blocking. The set (by Sundance Wilson Henry, the director's wife) was good, the lighting (by Cash) nearly perfect. Sound and sound design were good and the show (under the direction of Kali Worthley as TD) went really well. Costumes were a bit iffy and suggested period without really making it.

All in all I enjoyed the presentation and would recommend it to you. It was a killer first time production and I'm looking forward to the next two in the season ("Much Ado About Nothing" and "Grease").

WARNING: You should note that the story is a valuable one concerning racial equality. It does, however, have some mild cursing and uses the 'n' word. There is also some discrete talk about rape (without being graphic or using the term).

The show's run is November 14, 15, 16, 21, 22, & 23. [Sorry about the late review; we'll do better next time.] All shows 7 p.m. at the Battle Ground High School Lair. Tickets at the door are $5 for students/seniors and $10 for adults.

Review by Gregory E. Zschomler.

Friday, November 15, 2013

BGDC Presents Classic "To Kill a Mockingbird"

We'll be reviewing the debut show of the new Battle Ground High School Drama Club "To Kill A Mockingbird" this Saturday evening. [Review appears Sunday morning, Nov.16]

Based on the classic book by Harper Lee, the show's run is November 14, 15, 16, 21, 22, & 23. [Sorry about the late review; we'll do better next time.] All shows 7 p.m. at the Battle Ground High School Lair.

Tickets at the door: $5 students/seniors & $10 adults.


Wednesday, November 13, 2013

We Are Committed to Bringing Our Public Honest Reviews

We at the SWWASTAR blog are committed to our public. We will always continue to bring you honest reviews as we see them. You should know we will never kowtow to the theater companies in order to appease them with our "take" on things.

That, unfortunately, means that some have and will refuse us comp tickets due to what they might consider an occasional bad review or opinion. Without these passes we will be unable to review their shows. (Therefore, you will likely notice the disappearance of some companys' show reviews in our posts.) We are sorry.

Is everything perfect? No. But you need to know that. Often we are full of praise--but it is always merited praise. Sometimes things are flawed (as we see it through the filter of more than 40 years of experience), and you need to know that, too. Most of you can't go to every show that opens, so you need to know where your entertainment dollars are best spent.

We can't like everything we see, just because the companies would like us to. Otherwise what service would we be to you? The companies need to realize that any press is good press, too. They forget that what we have to say is just our opinion--just like any other review publication. The "big boys" know this and have developed the "thick skin" to take it, when it happens.

In the future, we would like to be able to review shows that wouldn't otherwise have us by purchasing our tickets. But, for now, we do not have the budget to do so. In the meantime be assured that will always follow the ethics of good journalism.

Monday, November 11, 2013

Here's What Else is Happening on the Scene

In addition to what we've already posted the following shows are opening this weekend:


THE BRIDE WORE BLACK runs 7 p.m., November 16 and 17 at the Vancouver Elks Lodge #823. The dinner theater, $22 is presenting by Timeless Circle Players (which appears to be a new theater group brought to us by Rebecca Kramer, formerly of the Slocum Players).

"The Bride Wore Black" is a Murder Mystery Dinner Theater by Bill Hoelscher directed by Alan Stokesbary and produced by Rebecca Kramer. Here's the info from their Facebook page:

Timeless Circle Players in cahoots with Vancouver Elks #823 will be presenting a fun and funny dinner murder mystery show. This is a two show run you don’t want to miss.

Mr. and Mrs. Deveraux cordially invite you to the wedding of their son Charles Gremalde Deveraux to the beautiful Miss Delilah Goddilt. The amazing Ms. Ola Mae will be arranging the wedding the likes of which Vancouver has never seen. Please come and enjoy the festivities as you witness the wedding and the melding of these interesting families.

Tickets for Timeless Circle Players production of The Bride Wore Black, are $22.00 which include both the show and dinner and may be purchased via credit card by calling 360/256-0823 or by emailing lodge@elks823.com or going to the Elks located at 11605 SE McGillivray Blvd, Vancouver, WA 98683. Ticket Reservations: 360/256-0823 or lodge@elks823.com

Location: Vancouver Elk #823, 11605 SE McGillivray Blvd, Vancouver, Wash.

Performance Dates: Saturday, November 16 at 7 p.m. and Sunday, November 17 at 1 p.m.

Adult beverages will be available for an extra charge to all members and guests.

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COFFEE WITH GOD and CHECK PLEASE, by Serendipity Players, continue their dinner theater run at El Presidente. http://swwastar.blogspot.com/2013/10/two-servings-of-one-act-dinner-theater.html

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Clark College presents CURSE OF THE STARVING CLASS, "a dark comedy exploring the American Family with a disturbing twist." http://swwastar.blogspot.com/2013/10/clark-to-present-dark-comedy-curse-of.html

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The classic Holocaust play THE DIARY OF ANNE FRANK is being presented by the Woodland High School Drama Department (recommended for 13 and older), 7 p.m., November 14-16 at the high school, 757 Park, Woodland, Wash. Admission is $6 general, $5 for seniors and $2 for students. Call 360-841-2800 for info and tickets.

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ION, an original adaption of the tragic comedy Euripides, runs two weekends at the Vancouver School of Arts and Academics, 7 p.m., November 14-16 and 21-23 at the Royal Durst Theater on the Shumway Campus of the school, 3101 Main St. Tickets are $5 general and $4 for students and seniors.  Call 360-313-4600 for info and tickets.

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Battle Ground High School opens the classic TO KILL A MOCKING BIRD, based on the Harper Lee book, at The Lair on the school campus, 300 Main St., Battle Ground, Wash., 7 p.m., November 14-16 and 21-23. Admission is $10 general, $5 for students and seniors. Call 360-885-6500 or visit bghs.bgsd.k12.wa.us for info and tickets.

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THE PASSION OF DRACULA is to be presented by the Heritage High School Thespian Society, 7 p.m., November 14-16 at the school, 7825 NE 130th Ave. Tickets are $6 general and $4 for seniors, students and children 12 and younger. Call 360-604-3400 for info and tickets.

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Also opening from the Journey Theater Arts Group: THOROUGHLY MODERN MILLIE, JR. http://swwastar.blogspot.com/2013/11/journey-to-open-thoroughly-modern-millie.html


Sunday, November 10, 2013

Journey to Open "Thoroughly Modern Millie"

Journey Theater Arts Group opens THOROUGHLY MODERN MILLIE, JR., a high-spirited musical romp that has all of New York dancing the Charleston, next weekend. It’s the zany new 1920’s musical that has taken Broadway by storm!

Taking place in New York City in 1922, THOROUGHLY MODERN MILLIE tells the story of young Millie Dillmount, who has just moved to the city in search of a new life for herself. It’s a New York full of intrigue and jazz – a time when women were entering the workforce and the rules of love and social behavior were changing forever.

Based on the popular movie, the stage version of THOROUGHLY MODERN MILLIE includes a full score of new songs and bright dance numbers.

Performances take place at the Washburn Performing Arts Center, 1201 39th Street, Washougal, Wash. The Jr. tag means that the show has been modified to accommodate a large number of child performers.

Performance Dates & Times: Public Performances are 7 p.m., Friday, November 29, Saturday, November 30, Friday, December 6 and Saturday, December 7; 2 p.m., Sunday, December 1 and Sunday, December 8; and  3 p.m., Saturday, December 7. A School Day Performances is at 10 a.m., Thursday, December 5.

Get Your Tickets Today!

Ticket Information: Pre-Performance Ticket Prices are Adult (ages 19 and up) – $12, Youth (ages 2 to 18) – $10, Senior (ages 62+) – $10, Groups of 10 or more – $10 each. Family Day November 16 at 3 p.m. only are $10 each. School Day Pre-Performance Prices are Groups (10 to 99) – $6 each, Groups (100 or more) – $5. each with one (1) free ticket with each 15 purchased! Sales at the Door will be $15.  for Adults (ages 19 and up), $13. Youth (ages 2 to 18), $13. for Seniors (ages 62+) and $13. forGroups of 10 or more. $13. Family Day (November 16 at 3:00 pm only)
$8.

We will NOT be reviewing the show. Stay tuned for other posts regarding the opening of other shows (mainly high school productions) opening soon as well.


Saturday, November 9, 2013

REVIEW: Magenta's "Black Coffee" Truly Tasty

Agatha Christie's "Black Coffee" is now showing at the Magenta Theater, 606 Main Street, Vancouver, Wash. The show will run November 9, 14, 15, 16, 20, 21, 22 at 7:30 p.m. and November 16, 23 at 2 p.m.


Poirot Please:


In this story the famous Hercule Poirot (played ably by Tony Provenzola)  is summoned by England's most prominent physicist, Sir Claud Amory. Amory fears that someone in his household is attempting to steal his latest discovery, a secret formula critical to England's defense. But there are other secrets, too.

Poirot, with Captain Hastings at his side, rushes to get there, but arrives too late: Amory has died, his formula is missing and anyone in his country house, full of relatives and guests, could have been responsible.

This is a delightful and perfect community theater piece.

The cast of "Black Coffee." Tony Pronvenzola as Hercule
Poirot seated in the lower right. Photo provided.

Pleasant Performances:


In this production Lucia Amory is played by Tanya Gray, Miss Caroline Amory by Michele Glover, Barbara Amory by Shaye Eller, Tredwell by Glenn Russell, Richard Amory by Glenn Chipman, E. Raynor by Hillary Marshall, Dr. Carelli by Gary Corbin, Sir Claud Amory and Johnson by Rob Goff, Captain Arthur Hastings by Curtis Hope, Dr. Graham by Reba Hoffman, Inspector Japp by Tim Klein, and Hercule Poirot by Tony Provenzola.

Standout performances were given by Chipman, Eller, Corbin and, of course, Provenzola. Chipman was strong in his role and ruled the stage; Eller, sassy and commanding. Both are talented and accomplished actors.

Compare this TV character
portrait to Provenzola above.
I've seen Provenzola play many roles--sometimes several in the same play. He is a particularly good comic actor, so casting him in the role of a serious, though slightly eccentric, detective could been a mistake. The performance might have been more Clouseau than Poirot, even if Provenzola has an uncanny resemblance to the classic Christie character. Well, it wasn't a mistake and he played the role with quintessential imitation and great charm.

However, I think it was Corbin, as the Italian Dr. Carelli, I most enjoyed. The flamboyant and oily character was perfectly played with just the right touch of comedy and shiftiness. I was mesmerized every moment he was on stage. His accent (which he kept throughout) was wonderful to listen to. [Note: Overall the cast, with the exception of Corbin and Provenzola, were lax in their accents. Good British diction is something one expects from Magenta players.]

All other performances were genuinely good, with one exception. Tim Klein was abysmal. I am sorry to say that, because I like him. He was fantastic in Slocum's "Greater Tuna" and wonderful playing multiple roles in a couple of Magenta shows. Actually, it's not so much his acting in that he seemed so out of place. Broad comedy seems to be his forte and Christie, while having a wry sense of humor, is not comedy. Either he was grossly miscast or the director couldn't reign him in--or both. I was truly jarred when he took to the stage with his bombastic mix of U.S. southern and cockney buffoonery. The performance did not fit at all and was way too over the top.

[The above was my initial reaction to the portrayal of Inspector Japp and it has been pointed out, by Tim Klein, that the role was portrayed exactly as he and the director intended and as was written by Christie. I have not read the work (so I cannot confirm that), but have seen the character (I believe wisely played down) in the BBC production. "Black Coffee" was Christie's first stage play and while she kept Poirot in subsequent plays, she dropped the Japp character (possibly because she realized he was too broadly written--writers DO learn and improve). 

Regardless, had I directed the play, I would have done differently. Not because I am right, but because I am merely different. We all have the right to our opinion and interpretation. My apologies for the insinuations I made or seemed to have made that Klein was "miscast" or out of control. I don't believe, as I tried to say, that Tim Klein is a bad actor or that Amanda Goff is a bad director. I retract that insinuation and mean only to state that I didn't like their "take" on the character within the context of the other players.]

Still, the other performances and the overall production made the show delightful and well worth seeing.

Pleasing Production:


I found the production values to be quite pleasing. The show was well lit (lighting design by Elizabeth Tindall). The blocking and stage direction (by Amanda Goff) was good, and her set design was the best I have ever seen at Magenta--quite delightful and realistic. It was also dressed very nicely (by Michele Glover). It was impressive and detailed from stage right to stage left. Costumes (by Sheila McCormack), though good, were not necessarily kept period.  Properties (by Magenta's Artistic Director, Jaynie Roberts) were also detailed.

Potential Patrons:


All shows are at the Magenta Theater (address and dates above). Advance Tickets are $12.00 - $15.00. For ticket reservations and/or information: www.magentatheater.com.

Review by Gregory E. Zschomler.


Thursday, November 7, 2013

REVIEW: Prairie Ground's "Oliver" Glorious

Prairie Ground Drama opens the musical Oliver! November 7.


The PGD run is November 7,8,9 and 14,15,16 at the Prairie High School Auditorium and features Skyler Verity as the Artful Dodger, introducing Micah Foster as Oliver and starrring Ashlee Waldbauer, Austin Foley and Tristan Decker.

The show was directed nicely by Claire Verity. As expected, the students did a smashing job. We are especially excited to see Ashlee Waldbauer again, not to mention Skyler Verity and Austin Foley, too. The production featured a large cast, including a bevy of grade school students from the district.

It's a Fine Life


The primary cast of PGD's "Oliver."
The show, based on the Dicken's novel Oliver Twist, is a British musical, with music and lyrics by Lionel Bart, and is slightly depressing for a musical, but has several rousing songs.

After running away from the orphanage run by the heartless Mr. Bumble, Oliver meets the Artful Dodger and is recruited to pick pockets for Fagin. There, Oliver finds a friend in Nancy, but neither she nor the boy are fit for a life of crime.

Consider Yourself


The cast seemed a genuine family of fine performers. Vocal talent varied across the board, but was generally good. I was only slightly disappointed in that Micah Foster's (Oliver) vocals, which slid around a bit and were at times sharp or flat, though his vocal quality is quite nice. He's a good little actor, too.

Vocal standouts were many, and, really, all the cast did well. I will mention but a few of the leads first. Here goes: Ashlee Waldbauer as Nancy, Austin Foley as Bill Sykes, Julie Anne Chambers as Charlotte, Skyler Verity as The Artful Dodger, Tristen Decker as Fagin, and Sarah Demsky as Bet.

We were especially blown away by Ashlee Waldbauer, Austin Foley and Skyler Verity as much for their singing as for their exceptional acting. We have followed the trio for some time and they get better and better all the time.

The roles were great ones for all three, but I think it was Foley who really has risen to great heights since we first saw him as Mr. Big. Of course, Waldbauer nearly stole the show; I see a genuine star being made.

Tristen Decker was also wonderful in his role as Fagin--the singing, dancing and character quite well done--but he just didn't look the part (not crusty enough). The acting chops were good all around and most delivered excellent British accents of their class, and kept them throughout the show while speaking and singing--probably due to dialect coach, Margaret Carr.

Ashlee Waldbauer as Nancy.
Again, Foster, in his first role, was full of charm and spunk. I especially enjoyed the character roles of Alexa Millage-Fox as Widow Corney and Jared Lingle as Dr. Grimwig. And Matthew Dougal and Shanice Moore as Mr. and Mrs. Sowerberry (the undertakers) were funny and quite nice together.

Ensemble role standouts were: Mallorie Mendoza, Julie Anne Chambers, Rachel Hogan, Carson Verity and the sweet, little ball of smiles and energy Hannah Loyd. Mendoza, Chambers and Hogan each had their shining moment, but I was particularly impressed with Hogan's performances in "Who Will Buy."

Skylar Verity as
The Artful Dodger
I must mention that I was also struck by the actors discipline. A couple of things went awry (a set piece broken, a dropped prop) and the business was attended to in character. I will also mention that I didn't see the need for the distracting dog. Stage Management was handled well by Anna Stickney.

The choreography, by Clair Verity, was, once again, quite good, though didn't approach PGD's production of "Singing in the Rain." Some of the dance numbers were a bit complex and mostly modern musical theater in style (no tap or ballet), others were simpler, but charming none-the-less.

You've Got to Pick a Pocket or Two


Production values were, for the most part, top notch. The costuming, by Verity and others, was great! The set design, by Verity, was good by all standards and particularly good for PGD. Their best yet! I liked the unit design and use. Props, by Terry Maupin were also rather impressive. Maybe there's a little more money this year?

Lighting, by Anne Stickney and Verity, was well executed, but with a few shadowy areas around the edges. The orchestra, under the direction of Joseph Accuardi-Gilliam, did quite well. Kudos are also due Darcy Schmitt for music and vocal direction.


Who Will Buy?


Well, I think YOU should. This is good theater, folks. The doors at Prairie High School open at 6:30 p.m. and the show starts promptly at 7 p.m. Adults $10, Seniors $8, Students $5. Ticket may be purchased at prairiehighschool.org.


Review by Gregory E. Zschomler.
Photos, by Michael Verity, provided.


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ALSO, the MPAA production of "Oliver" runs November 15-17, 2013 right on the heels of the PGD production. It will play at Portland's Winningstad Theater (where director Noah Scott says its cheaper than renting a space in Vancouver). Presented by MPAA’s Musical Theatre Program students, all ages. There are three shows only! Friday, November 15, 7:30 p.m.; Saturday, November 16, 7:30 p.m.  and Sunday, November 17, 2 p.m.

Tickets: $14.25 Children (12+ under and Seniors 62+), $16.25 Adults online booking and service fees will be applied using PCPA's secure seat selector.

Winningstad Theatre, Antoinette Hatfield Hall, 1111 SW Broadway, Portland, Oregon.


Sunday, November 3, 2013

Local High School's Shake it Out with the Bard

Students at the Portland Playhouse Fall Festival of Shakespeare.
Several Vancouver area high schools to participate in the Portland Playhouse Fall Festival of Shakespeare with groups form Portland high schools at the Dolores Winningstad Theater. These include Hokinson, Ridgefield and Fort Vancouver high schools.

Ridgefield will perform "Romeo and Juliet" at 2 p.m., Saturday; Fort Vancouver will perform "A Midsummer Night's Dream at noon, Sunday; Hockinson will perform "A Comedy of Errors" at 5 p.m., Sunday. Hockinson will also offer performances at the high school 7 p.m., Nov. 7, 8 and 9.

For more information see the story in The Columbian or visit http://portlandplayhouse.org/fall-festival-of-shakespeare.