Showing posts with label children's theater. Show all posts
Showing posts with label children's theater. Show all posts

Monday, May 12, 2014

REVIEW: OCT's "Fancy Nancy" is a Dancy, Prancy, Joyful Romp for Everyone

Oregon Children’s Theatre presents the West Coast Premiere of "Fancy Nancy: The Musical" based on the books by Jane O’Connor.


Don your most glamorous attire, pour a spot of tea, and join OCT for the most elegant musical of the year—"Fancy Nancy!" Nancy and her pals Wanda, Rhonda, Bree, and Lionel are super-excited to be dancing in a school recital. Nancy is sure she will be cast as a shimmering mermaid, but ends up as an ordinary tree instead. When Bree lands the coveted role, Nancy realizes that being fancy comes in many forms—all it takes is a dash of imagination, camaraderie, and a little joie de vivre!

Nancy (Madison Wray) and her friends Lionel (Brendan Long) and
Bree (Haley Ward) are ready for the school play in Oregon Children's
Theatre's "Fancy Nancy." Photo by Owen Carey.
"Fancy Nancy" was originally produced at New York's Vital Theater, the same company that originally brought the wildly popular "Pinkalicious" to the stage.

It is based on the bestselling children’s book series by Jane O’Connor and illustrated by Robin Preiss Glasser. Book and lyrics bySusan DiLallo. Music and lyrics by Danny Abosch. Original orchestrations by Danny Abosch. This magnifique musical—that’s fancy for great show—is sure to please.

“I love Nancy,” says director, Stan Foote. “She just aspires to be a better person. And when she comes up against obstacles, she recovers and glories in the greater good!”

Some of the show’s big ideas include:
  • Adding a little extra color, music, vocabulary or fancy flair is a great way to make your day special.
  • Being fancy isn’t just for girls.
  • Even when we try our hardest, we can’t always get what we want.
  • It’s okay to feel jealous sometimes.
  • Make the best of whatever situation you find yourself in.
  • Celebrate the victories of others
Nancy (Madison Wray) and her friends Lionel (Brendan Long) and
Bree (Haley Ward) have très magnifique (that's fancy for cool) tea parties
in Oregon Children's Theatre's "Fancy Nancy." Photo by Owen Carey.

Shining Stars:


The cast features Madison Wray as Nancy, Haley Ward as Bree, Annie Barker as Rhonda,
Hannah Wilson as Wanda, Brendan Long as Lionel, and Dani Baldwin as Nancy’s mom.

Madison Wray (whom we reviewed as Mildred in OCT's "Zombie in Love") was smashing! (that's a fancy British word for "wonderful") in the lead. She brought an extreme amount of energy and enthusiasm to the role. She sang wonderfully and danced really well. Such a treat (makes me want a cupcake). A lot of talent here folks.

The effervescent and extremely talented Haley Ward (who I saw but did not review in OCT's "The Magic Treehouse") was excellent as Bree. That girl can sing and dance as well. I like how she throws everything she has into the roles she plays. What an expressive and rubbery face, too!

I also enjoyed the "twins" Annie Barker as Rhonda and Hannah Wilson as Wanda. Both girls did a nice job and were strong, expressive dancers. Both had lovely voices. I think of all the actresses in the show these two best expressed the child-like manners of the ages they represent.

The remaining cast members, Dani Baldwin (Nancy's mom) and Brendan Long (Lionel), also did well. Long, as the token boy, seemed unnecessary really and not quite a match for the girls, but was none-the-less enjoyable and talented.


The book on which the
musical is based.
Baldwin was good, but she played the mom too straight--too natural, too realistic--while the other roles had a comic nature to them. She is talented, but even though she is "the voice of reason" in the production, I felt there should have been more of comic edge to the portrayal. I loved her delivery of the wonderful song "The Best Part I Play is Your Mother."

One final observation about the acting: During opening night a bead necklace broke unexpectedly. Neither Wray or Ward broke character. Oh, sure they laughed and tried to deal with the random event, but they did so in character and with professionalism. Such a joyful, spontaneous moment.

The creative team includes: 

Stan Foote (Director), Darcy White (Musical Director), Daniel Meeker (Scenic Designer), Mikaela Gladstone-Saucedo (Costume Designer), Kristeen Crosser (Lighting Designer), Sara Mishler Martins (Choreographer), Em Gustason (Sound Designer), and Kaye Blankenship (Props Master).

All did a merveilleusement exceptionnel (that's a fancy French way to say "wonderfully exceptional") masterful job. I loved the beautiful, but simple set, the equally colorful costumes, the fun dances, the lovely lighting and, well, everything. Perfecto!

SW Washington's Local Angle


15 year-old Skyview High 
School sophomore 
Hannah Wilson.
It never ceases to amaze me what talent pours from our little corner of the state--Washington State that is. County Clark. And several of our local students have appeared in OCT productions such as Lindsey Koehler in "Zombie in Love" and Ashlee Walbaurer in "The Magic Treehouse" (she also served as Apprentice Choreographer for this show) to name those I know of.

Now 15 year-old Skyview sophomore Hannah Wilson joins the OCT distinction. Her role in "Fancy Nancy," as the twin Wanda, marks her debut with the company. Not just anyone can get a role with OCT and Wilson definitely deserves it.

According to an article in The Columbian she said, “I do want to do this for the rest of my life. Theater, it is my passion." We look forward to seeing here again and again in the limelight around the metro area.

Read more about her here.

The Info


"Fancy Nancy" is playing now through June 1; 2 and 5 p.m. Saturdays, and 11 a.m. and 2 p.m. Sundays at at the Newmark Theatre, 1111 SW Broadway. Portland, Ore.

Audience members are invited to attend in their most elegant attire—that’s fancy for stylish.

Tickets are $18-$30 for adults and $15-$26 for children (group rates also available). Box Office: 503-228-9571 or TicketMaster (503-790-ARTS or www.ticketmaster.com). Recommended for ages 4 and up.

By Gregory E, Zschomler
Photos, by Owen Carey, provided.
For another perspective from Dennis Sparks click here.

Saturday, April 26, 2014

REVIEW: OCT's "The Giver" is Deep, Disturbing and Delightful


An Oregon Children's Theatre (OCT) Original directed by Matthew B. Zrebski at the Winningstad Theatre in Portland, Ore. There have been over 250 productions of this play produced since OCT premiered it in 2006. Winner of the American Alliance for Theatre and Education (AATE) Distinguished Play Award.

Synopsis:


Unfortunately these pre-production
photos do not well represent the
show's actual look and feel.
Jonas's world is perfect. Everything is under control. There is no war or fear or pain. There are no choices, individuality, or emotions—they are against the rules. When Jonas turns twelve he is selected to train with The Giver, who is the keeper of the entire Community’s memories, both good and bad. Now Jonas must shoulder the burden of memory and learn the harsh truths of what it means to live a life of sameness.

From the acclaimed Newbery Award-winning author, Lois Lowry, The Giver returns to Oregon Children’s Theatre eight years after its world premiere on their stage. And while a great and provocative book and play, I question its validity for children, at least those under twelve years of age.

Frankly, it is adult material. I say that not in a prudish or moralistic sense, but as a parent who sees the material as too "hard." This is a play that deals with difficult cultural and social issues--the right to life (and the right to die) of the young and infirm, the horrors of death and destruction, what life could mean without those things or even a life with out passion and love. Because if you take away one you also take the other. It's hard to explain. I suggest reading the book (it's a small book packing a big whollup) before you decide to subject your children.


Staging:


Tristan Comella as Jonas, The Receiver.
The quality of OCT's shows is generally top notch. You can expect a good show for your money. And this production is no exception. Costumes (by Emily Horton) and makeup (?) are great. The de-saturation and re-saturation effects are, well, very effective. The sets, lighting (both by Tal Sanders) and sound (by Em Gustason) designs are exceptional and highly creative (especially the amazing soundscape). The use of video/media (by Jeff Kurihara), and the entire design thereof, is stunning and brilliant.The stage direction, by Matthew B. Zrebski, was also interesting and well done.

However, I'm am not quite happy with the character direction. The characters, for the most part, came off flat and unmoving. I suspect this was the director's artistic  "choice" for communicating the feeling (or lack there of) of "sameness" since it was almost universal. I make this observation in comparison to the vibrant energy of other OCT productions.

I do note that there is a shift in the emotiveness of Jonas as he begins to receive the memories. The Giver was the only character who had passion from the get-go. So, you see what I'm thinking, no? I'm not saying it was a wrong choice, I'm just saying, as a director myself (having read the book and not seen that), I'm not sure I would have interpreted the work that way.

And, since the show is presented as Children's Theater, I think a lighter, funner feel might be a better contrast against the underbelly of what's at work behind the seemingly ideal life lived on the surface. I don't know, either way it's likely to come off as a downer in the end anyway (depending on how you interpret it, I suppose). I do think adults will get even more out of the story than kids--even teens. This is a valuable look at society, governmental control and personal choice that can only truly be appreciated by those who have been living for a while.

Stars:


The cast was good, don't get me wrong there. Tristan Comella, in the lead as Jonas, showed a sincere range of emotion. I especially liked Andres Alcala as The Giver; he gave a truly passionate and convincing performance.

But it was fifth-grader Steele Clevenger who threatened to steal the show. Her portrayal as the naive and oblivious Lily, was spot on, always a darling and dear. If you go watch her; her acting seems intuitive.

I should also note the downplay of the character Rosemary in this adaption. I was disappointed that it was reduced to a walk-on part (literally). I feel sorry for Zoe Stadler, who played the part, with her experience she deserved more (but then, as they say: "there are no small parts...").

Showings:


The Giver imparts a memory to Jonas, The Receiver.
Though the material isn't light and fluffy (which I prefer) I enjoyed the show. I felt the adaptation and presentation were faithful in communicating the message of the book. And I found it (just as I did the book) deep, disturbing and delightful.

"The Giver" is playing now through May 18, Saturdays at 2 p.m. and 5 p.m., Sundays at 2 p.m. Sign Interpreted: Saturday, May 3 at 2 p.m. OCT recommends the play for ages 9 and up. I recommend twelve and older.

Get $10 teen tickets!

Based on the awesome, but disturbing, Newbery Award winning novel by Lois Lowry. Adapted by Eric Coble. Originally commissioned by Oregon Children’s Theatre, March 2006.

By Gregory E. Zschomler
Photos, provided, by Owen Carey
For another perspective by Dennis Sparks click here.

The movie comes out this August and stars Meryl Streep, Taylor Swift, Katie Holmes, Jeff Bridges. Alexander Skarsgard, and Brenton Thwaites as Jonas.


Friday, April 18, 2014

Journey to Rock the Schoolhouse This May

Journey Theater Arts Group (not the band, though they will be coming to the Clark Co. Amphitheater this summer) presents SCHOOLHOUSE ROCK LIVE! JR., based on the Emmy® Award-winning Saturday morning educational cartoon series and pop culture phenomenon, one of the most fun musicals ever to hit the stage. The junior version features a bevy of young performers.

This energetic musical follows Tom, a young school teacher who is nervous about his first day of teaching. He tries to relax by watching TV when various characters representing facets of his personality emerge from the set and show him how to win his students over with imagination and music. Memorable songs as “Just A Bill,” “Interplanet Janet,” “Interjections” and “Conjunction Junction” bring his lesson plans vividly to life.

Performances are May 16 – 24, 2014 at Fort Vancouver High School. Friday showings at 7 p.m., Saturday showings at 3 p.m. and 7 p.m., Sundays at 2 p.m. Tickets are on sale now at journeytheater.org or by calling 360.750.8550.

Pre-sale adult tickets are $12. Youth and senior tickets are $10. The May 17, 7 p.m. showing is a “family day” performance with all tickets $10 in advance. Tickets for all performances will be $3 more at the door.

School Day Performances will be offered at 9:30 a.m. and 11:45 a.m. on Wednesday, May 21. Tickets are $6 each for groups of 10 – 99 and $5 each for groups of 100 or more, with one free ticket for every 15 purchased. Call our office to arrange to bring your class or home school group!

Journey is a theater arts community in the Portland/Vancouver area, offering dozens of classes in drama, dance, voice and more, as well as producing twelve shows in four locations during the school year and a professional-level community theater musical each summer, along with a variety of camps for kids ages 6 to 18. Journey strives for excellence, while providing a welcoming and encouraging environment where kids ages 6 to 18, and their families, can build life-long skills and friendships. Journey is a 501(c)3 nonprofit educational organization, with offices located at 1400 NE 136th Ave, Suite 201, Vancouver WA. Contact at 360.750.8550 or www.journeytheater.org.

Thursday, January 23, 2014

Metropolitan Performing Arts Academy Musical Theatre Workshop

Now Enrolling for Broadway Jr. Workshop — A Musical Theatre Adventure for Beginners!


This popular one-day-a-week musical theatre workshop allows beginner students an opportunity to act, sing and dance. Their Broadway Jr. workshop is the perfect place for kids looking to gain experience in performing or just try it out. 

Each session has a different curriculum that builds technical skills and performance experience.



Ages 6-13
January 24-June 6
Fridays 5:30-7:30pm
$50 per month
Kids will sing, act and dance their way through fun Disney numbers in a special review performed in early June 2014. Visit the MPAA website for more information and to register.

Sunday, November 10, 2013

Journey to Open "Thoroughly Modern Millie"

Journey Theater Arts Group opens THOROUGHLY MODERN MILLIE, JR., a high-spirited musical romp that has all of New York dancing the Charleston, next weekend. It’s the zany new 1920’s musical that has taken Broadway by storm!

Taking place in New York City in 1922, THOROUGHLY MODERN MILLIE tells the story of young Millie Dillmount, who has just moved to the city in search of a new life for herself. It’s a New York full of intrigue and jazz – a time when women were entering the workforce and the rules of love and social behavior were changing forever.

Based on the popular movie, the stage version of THOROUGHLY MODERN MILLIE includes a full score of new songs and bright dance numbers.

Performances take place at the Washburn Performing Arts Center, 1201 39th Street, Washougal, Wash. The Jr. tag means that the show has been modified to accommodate a large number of child performers.

Performance Dates & Times: Public Performances are 7 p.m., Friday, November 29, Saturday, November 30, Friday, December 6 and Saturday, December 7; 2 p.m., Sunday, December 1 and Sunday, December 8; and  3 p.m., Saturday, December 7. A School Day Performances is at 10 a.m., Thursday, December 5.

Get Your Tickets Today!

Ticket Information: Pre-Performance Ticket Prices are Adult (ages 19 and up) – $12, Youth (ages 2 to 18) – $10, Senior (ages 62+) – $10, Groups of 10 or more – $10 each. Family Day November 16 at 3 p.m. only are $10 each. School Day Pre-Performance Prices are Groups (10 to 99) – $6 each, Groups (100 or more) – $5. each with one (1) free ticket with each 15 purchased! Sales at the Door will be $15.  for Adults (ages 19 and up), $13. Youth (ages 2 to 18), $13. for Seniors (ages 62+) and $13. forGroups of 10 or more. $13. Family Day (November 16 at 3:00 pm only)
$8.

We will NOT be reviewing the show. Stay tuned for other posts regarding the opening of other shows (mainly high school productions) opening soon as well.


Saturday, October 19, 2013

REVIEWS:" Pinkalicious" and "How I Became a Pirate" Presented by Rising Star Productions

Longview's Rising Star Productions offers up a couple of kid-friendly shows this Halloween season for your enjoyment. Both shows, "Pinkalicious" and "How I Became a Pirate," are musicals based on two very popular children's picture books. Both, directed well by Jueanne Meyers, run again next weekend (October 25 and 26). Laurel Moore was the vocal director and Meyers the costumer for both shows.

"Pink" plays both evenings at 7:30 and "Pirates" plays the Saturday matinee at 2 p.m. This weekend's showings were the other way around. So, basically, you have one chance left to catch "Pirates" and two for "Pink."


"Pinkalicious" is decidedly for girls. Pinkalicious is a little girl who loves pink so much that she develops a serious case of pinkatitus. The book on which the musical is based, is the first in a growing series by Victoria Kann  and Elizabeth Kann.

50 Shades of Pink


The house was nearly full; over half the seats were filled with little girls dressed in various hues of pink. There were  several moms and some grandparents, maybe a dozen guys (no boys). As an adult male I was sorta expecting not to like this much. And honestly, to me, it was quite silly, but still entertaining because the songs were so well written and Rose Graff was truly amazing in the lead.And the audience ate the show up like pink cupcakes.

The cast all sang well enough with Rose Graff (as Pinkaliciuos) shinning above the rest. She sang quite well (especially for her age), though had some trouble, from time to time, with the higher registers. Her acting and enthusiasm was top notch.

Additionally, Jeffrey Meyers played Peter (her brother), Mayci Bloomfeldt played Alison (her best friend), Greg Moore and Laurel Moore played her parents (a bit old for the parts) and Stephanie Biwer played Dr. Wink with a very nice song and dance.

There was also an array of cute dancing cupcakes, birds, bees and butterflies. The choreography, by Kristy Larson, was well designed, but under-executed for the most part--lacking snap--but, then, most were young girls. The cast also danced, but only Biwer and Graff were really in the pink.

Production Notes:

The sets were good, with a book page background that turned with the scenes. However, I felt I spent about half of the one hour showtime waiting in the dark for sets to be changed. The audio was generally good, though, at times, it was hard to hear plucky, young Meyers. Accompaniment was provided by a nicely scored track. Costumes were cool (well, with a lot of hot pink).

Lighting, which was okay, could have been designed better. Since it was a musical, and, at that, one about all things pink, the lighting should have been gelled with no color pink (Rosco #33). Some no color blue and an additional spot over the bed in the bedroom would have improved the look of those scenes as well.

None-the-less, as stated, the audience of little girls loved the show. After all, "you get what you get and you don't get upset" and it is a show for them. The songs, music by John Gregor and lyrics by Gregor and the authors, were very catchy and creative. I especially liked "Buzz Off" and "Green Food."


"Pirates" is somewhat of a boy's tale, but girls may like it too. In the story, Jeremy Jacobs is minding his own business on the beach when suddenly a group of lost pirates turns up and recruits him to help them dig for buried treasure. The book, by Melinda Long and illustrated by David Shannon, is also a big seller and is being serialized as well. The show's book, music and lyrics were adapted by Janet Yates Vogt and Mark Friedman.

On the Deep Blue Sea


The boys came out for this one and there weren't so many girls in the audience. They were all on stage! I guess it may have been a tad hard to find young guys for the cast--most of the pirates were gals. Which was funny, when Kylee Hoffman sings "I'm Really Just a Sensitive Guy."

So, the cast consists of Sam Larson as Jeremy Jacob, and the pirates: Stephanie Biwer as Capt. Braid, Alex Wallis as Swill, Kylee Hoffman as Sharktooth, Erik Rentner as Pierre, Natalie Ransom as Max, Gina Moore as Scurvy Dog and Kari Pierce as First Mate Seymour Braunschwagger. Hope Bernhardt, CeCe Elkinton and Jeffrey Meyers round out the unnamed pirate crew.

Most of the songs are delivered by the ensemble though Larson, Hoffman, Wallis and Ransom sing brief solos. All did well though Larson was a bit quiet and shaky at times. This is one of those shows where an adult part is written in to lead the cast of youngsters. That role fell to Biwer who truly seemed to be enjoying herself as the flamboyant and kooky pirate captain. She sings and dances well, has good comic timing (and reminds me of my sister Suzi, but who cares).

Also worthy of mention was the fun French accent by Erik Rentner as the ship's cook Pierre and Alex Wallis' wonderful singing. I would like to see him do more.

Production Notes:

The tunes borrowed heavily from everything nautical and seafaring--Gilbert and Sullivan to Gilligan's Island. Lyrically the were mostly okay (frankly, "Pinkalicious" was better written). Greg Moore provided the keyboard accompaniment.

The show was again choreographed by Kristy Larson, but lacked the spark and ambition there was in "Pink." However, the steps seemed easier and were better executed. The backdrops utilized the same technique as described for "Pink." There were fewer set changes so the show seemed to move faster.

Lighting was virtually unchanged from the previous show. Some blues would have been nice. This was cornier than "Pink" and many of the jokes fell flat. Adults, who got them, mostly groaned inside, and the kids didn't get them at all. There were a few laughs from the lines (though Biwer's antics garnered many). It just wasn't all that well written. "Pink" was funner and funnier, in my opinion.

Best songs were "Green Teeth" and "Where Do We Bury the Treasure?" though I also enjoyed "Read the Map" (with solo by Wallis). I did not understand the relevancy of the song "Soccer By the Rules." The show runs about an hour, in two acts with an unnecessary 15 minute intermission added on.

For more information on either show and tickets: ($5 for kids 12 and under, $8 for seniors and $10 for adults) visit RSP's website. The productions are being shown at RSP's theater located in Kelso's Three Rivers Mall.

Reviews by Gregory E. Zschomler.

Tuesday, June 25, 2013

Summer Offering for Theater Kids with Journey Theater Arts Group


Journey Theater Arts Group presents the following Musical Theater Day Camps in Battle Ground, Beaverton, Portland and Vancouver beginning June 25, 2013. 

Musical Theater Day Camps are a great way for kids to get the most out of their summer vacation! Eight to thirteen year-old campers rotate through drama, voice and dance classes while six and seven year-old campers have all three in one classroom. Campers also participate in team competitions and full company rehearsals. All campers receive a camp t-shirt and perform in the Showcase on the last day of camp.

Broadway Bound Camp Dates and Locations: July 15 – 19 in Portland. August 5 – 9 in Vancouver. August 12 – 16 in Beaverton.

Super Heroes Camp Dates and Locations: July 8 – 12 in Battle Ground. July 22 – 26 in Beaverton. July 29 – Aug. 2 and Aug. 12 – 16 in Vancouver.

Cost: $165 per camper. First time families: save $25 off total registration! Use coupon code: 'FirstJourney' when you register online.

Once Upon Another Time Middle School Day Camp for 12 – 14 year olds; July 29 – Aug. 2 in Vancouver. $200 per camper.

Register online now at www.journeytheater.org or by calling 360-750-8550.

Sunday, May 19, 2013

The Musical "GOD of This City" to be Presented by LHC KIDSWORLD

Living Hope Church KIDSWORLD presents "GOD of This City" a new musical about kids making a difference, 7 p.m., Friday, May 24 and 1 p.m., Saturday, May 25.

Presentations are FREE and take place at the City Campus, 2711 NE Andresen Road, Vancouver, Wash. http://livinghopechurch.com/

Friday, April 19, 2013

Journey Theater Arts Group Presents "A Little Princess" (the musical)

Journey Theater presents "A Little Princess" (a musical) based on the beloved classic novel written by Frances H. Burnett. Book adapted by Vere Morris. Music and lyrics by Bill Francoeur. 

It's about Sara, a young motherless girl who is entrusted to the care of a boarding school while her father serves his country at war. Sara travels from India to England only to find that it's an unfriendly world. Mistaken for a penniless orphan, she is forced to be a servant, leaving only her imagination and hope to remain a little princess.

Performances are at Fort Vancouver High School – 5700 E 18th Street, Vancouver. The show runs two weekends, May 17 – 26, 2013. Fridays at 7 p.m., Saturdays at 7 p.m., and Sunday, May 26th at 2 p.m. Advanced purchase adult tickets are $12; youth, senior and group tickets are $9; Family Day Tickets for May 18 are $9 in advance. All tickets are $2 more at the door. Best for ages 4 and up. School Day performances are Tuesday, May 21 at 9:30 and 11:45 a.m. with tickets starting at $5.00.

For tickets go to www.journeytheater.org, call 360-750-8550 or email info@journeytheater.org.

Editor's Note: Journey Theater presents large cast "theater camp-like" shows of kids for kids. Generally, based on our past experiences, the shows look good and move along well, but the talent varies widely with few really great performances (though some do surprise). We have also noticed consistent technical problems mostly with audio.

Saturday, April 13, 2013

REVIEW: Stageworks Northwest Presents the Musical Version of "The Secret Garden"

I have long been aware of "The Secret Garden" as a novel, a play, a musical and a movie, but I have never seen nor read the work. I have attributed its popularity to children (as it is primarily a children's tale) and have been disinterested, believing it to be a syrupy tale akin to Heidi.

I was scheduled to review "Camelot" at Rising Star, but I assigned that task to Dennis J. Sparks (read his review here) after my wife showed interest in seeing "The Secret Garden" (Winner of 3 Tony® Awards, the "reimagined" musical adaption brought to life by composer Lucy Simon and Marsha Norman, the Pulitzer Prize-winning playwright of Night Mother), presented by Stageworks Northwest. It is with some trepidation that I went into this viewing since it was probably, as they say, not my cup of tea. It wasn't.

The work, the company's first full-length production in their new space, by Brit  Frances Hodgson Burnett, was first serialized beginning in the fall of 1910 and novelized in 1911. The children's classic concerns the tale of a sassy eleven year-old orphan and her 'spiritual' transformation as well as the physical transformation of a crippled boy she befriends and, it seems, a bunch of other stuff. It is a far too complex and convoluted of a story for stage--especially as a musical.

The Garden Plot


The story is full of symbolism and ideology inspired by the works of Christian Science writer Mary Baker Eddy (for whom the work was originally named as Mistress Mary) and is somewhat involved; it jumps forward and back in time and involves several threads that could be simplified. It would be best to be familiar with the story before seeing the production as it is hard to follow. To read more about the work, its themes and story you may view the Wikipedia site. One thing that might be helpful is to understand right up front that anyone dressed in white is either a ghost or spirit.

While Pollyannish at times, it is still a dark tale of death and life. The 'spiritual' themes are twisted and unsatisfying on some levels. I don't see how this can be considered a children's tale. Most of the few adult themes in the work will pass over the younguns heads; there are no language issues or suggestive actions.

Cultivating the Show


Seth Burns and Eleanor Stalick in "The Secret Garden"
All performers were very good vocalists--some quite exceptional (especially the leads). The show features many great melodies and harmonies which the actors nailed. The work has more than twenty-four songs with only a smattering of dialogue between numbers making it almost an opera. Which was, for me, somewhat taxing.

The male leads (Phillip Kennedy, Seth Burns and Caleb Pierce especially) were excellent vocalists and quite good in their diction. The female leads (especially Lorraine Little, Teresa Jansen and Ashley Stevens) were also outstanding and enunciated fairly well. While Katherine Jansen had a wonderful operatic voice, she, unfortunately, failed to hit a lot of consonants, making it hard to understand her.

Fourth-grader Adam Burckhardt did wonderfully, but truly amazing was thirteen-year-old Eleanor Stalick in the lead role. A charmer, fine actress and great vocalist! Formerly a chorus performer, this being her first lead...well, hard to believe. She is superb! Many of the performers were a bit stiff while singing and could have used more animation. However, Seth Burns was excellent at all times and quite adept at acting through his songs.

Weeding out the Technical


While opening night was hampered with some audio difficulties (at two points the show was stopped to correct them) and the lighting only barely adequate (a problem they are aware of and working on improving for future productions when they have more money for instruments) the show was beautifully executed. The faux-painted set, designed by Adam Pithan and Janeene Niemi, was stunning (Melissa Gilbertson also deserves credit in the paint department), and the score (pre-recorded tracks) was quite lovely.

Costumes, by Lynn Jansen, were quite nice as well. A scrim and some textured lighting would have greatly enhanced the show's look and helped separate some of the foreground scenes (especially the garden). [In the future I hope they will put in a fly loft since there is room.] The choreography was simplistic and uninspiring.

Direction, by Bethany Pithan, was good, but could have been better had the actors been given more business (especially during their musical numbers). Dialects (several English accents as well as a Scottish brogue) were excellent and consistent--even during singing. Vocal direction and styling by Michelle Myre were tight and beautiful.

Stageworks Northwest's new space.
The play runs now through May 12 with showings 7:30 p.m. Fridays and Saturdays, and 2 p.m. Saturdays and Sundays (except for Sunday April 21 only when it shows at 1 p.m.) at the Historic Longview Theater (which is now home to Stageworks NW), 1433 Commerce Ave., Longview, Wash. Tickets are $12 and can be purchased online.


Review by Gregory E. Zschomler.

Sunday, January 6, 2013

Magenta Theater Academy Offers Class for Kids

TALES from the WARDROBE: 

A theatrical tribute to the wondrous tales that C.S. Lewis wove into our lives


Instructor: Jaynie Roberts, Artistic Director for Magenta Theater.

Ages: 8-17 (The class will be capped at twenty students to ensure individual attention.)

Classes: 4 to 6 p.m., Thursdays, Jan. 10 through March 14, 2013.

Final Performance: 7:30 p.m., March 15 at Magenta Theater, 606 Main, Vancouver, Wash.

Cost: $140. A registration link can be found at the Magenta website. No other money is required (except for performance tickets) and no parental obligations are expected. Registration closes when twenty students have registered and paid.

In class, students will bring to life characters such as Peter, Susan, Lucy, Edmund, Mr. Tumnus, Dr. Cornelius, Prince Caspian and more. Students will be taught a realistic/natural acting style utilizing such skills as character development, natural stage movement, script memorization, simple costuming and makeup.

Please Note: Attendance at all classes is essential. If absences are unavoidable, please advise instructor when registering. Ability to read is important as we will be working with scripts. Hesitant readers will be given smaller roles to help them feel more comfortable.

For more information: Email: director@magentatheater.com, or call 360.635.4358.

Thursday, December 20, 2012

REVIEW: “A Living Nativity” at Living Hope Church, a Live Journey Through Time

The reason for a “living” Nativity is, not only do human actors represent the main characters of the story but live animals are included. They consist of sheep, a mule, cows and even a camel (also a petting zoo for the kids). Pretty impressive and very much adds to the atmosphere of the proceedings.

The Three Wisemen or Kings bow before the Christ-child.
The depicted story should be very familiar to most Americans: Mary and Joseph are returning to Bethlehem for a census. Since there is no room for them at the Inn, they are forced to stay in a stable with animals. The baby Jesus is born there in a manager. A very bright star induces some shepherds to this place, as well as three Kings from the East, in which they all bow down and adore him, as the Savior that has been prophesied.

Shepherds adore the infant in the manger with Mary and Joseph.
There is very little interaction in dialogue among the cast (except for the sheep, who bleat in whenever they feel like it). The Mary does have a lovely singing voice. And a choir, bedecked with candles, underscores the events. There is an off-stage narrator (Mark Kelly) who outlines these proceedings from the New Testament. But the main Host for the evening is John Bishop, Senior Pastor. He intersperses the scenes with factual items from that period of time.



He also adds how these events and the teachings of Jesus are reflected in the modern world. The history, in particular, is quite interesting. And Pastor Bishop seems a very personable and approachable man and his easy, conversational style of speaking are very effective in this type of environment. As mentioned, the only editorial comments seem to come from the four-legged creatures that also inhabit the space.

Pastor John Bishop (who once pet a tiger) with Curly the Camel.
The set was effective and the lighting (designed by Gregory Zschomler and Roy Fisher) was quite good, especially with the strobe (lightning) effects at the beginning. The miking was clear and the costuming also effective. The live animals were definitely an asset, adding an authenticity to the production.

The only drawback for this reviewer was that there was no program. No way to give credit to the actors or director or crew. The show is about an hour long and definitely a family affair. This is the popular show's fourth year and the second at the City Campus. Weekend shows, especially Sunday (especially 11 a.m.) will be quite full. Go early for a good seat.

An angel choir sings against the starry night sky.
Remaining Dates and Times: Thursday, December 20, 7 p.m.; Friday, December 21,7 p.m.; Saturday, December 22, 6 p.m.; and Sunday, December 23, 9 a.m., 11 a.m. (deaf interpreted) and 1 p.m. Living Hope Church City Campus is located at 2711 NE Andresen Road, Vancouver, Wash. in the old K-Mart building.

My best to you and yours on this Blessed Celebration! “God Bless Us All, Every One!”

Visit http://alivingnativity.com/ for more information.



By Dennis Sparks, guest reviewer (www.dennissparksreviews.blogspot.com for Portland and Ashland area theatre reviews)
Photos and video provided.

Saturday, November 3, 2012

REVIEW: CYT's "Great American Tall Tales" is a Great Tale with a Good Cast of Kids

"Great American Tall Tales" was written for Christian Youth Theater (CYT) by Adam and Courtney Walsh and it was written extremely well. The story is well conceived, the dialogue good and the catchy songs delightful in every way. I could see it being done on Broadway (with adults) to great success. Whether on the Great White Way or here in SW Washington it is a tale worth seeing.

Aimee Martin as Slue Foot Sue and Brandon Doak as Pecos Bill.
To be honest though I couldn't hear every word of the show. There weren't any problems with the wearable mics that were used, but there were problems when they weren't. That's going to be my biggest beef against the show, so I'm getting it out of the way. Several principles were not miced and I had to strain to hear them on occasion especially when contrasted with those that were miced with whom they were conversing. It was like this:

Person One: HEY, I'M TALKING TO YOU.
Person Two: You talking to me?

Get the picture? Don't, don't, don't do that to your audience. Everyone with lines or solos needs to be on EQUAL ground.

Aside from that the show was pretty good. It came off somewhere between a Disney Channel (The Suite Life of Zack and Cody or That's So Raven) or Nickelodeon (True Jackson or iCarly) kid's TV show and a VBS (Vacation Bible School) program. That is to say the acting is more kid friendly in a lowbrow kind of way than for adults and it's kids after all (some with and some without great talent) and parents like to see their kids in programs, regardless.

See, the thing is with CYT (and MPAA), though there are auditions, parents pay to have their kids in the show and, if they pay, their kid is pretty much in the show if they are needed, though some may be cut. Then the director casts the best of what he/she has been dealt in the leads and the rest go to the very large chorus. Which (like in this case) is a lot more girls than boys and so you have girls playing boys (like in this case). [An ideal cast for CYT, I'm told, is 65 children.]

However, the important thing to remember is that the kids are getting experience and they are being trained and are growing in the craft and, most of all, they find encouragement (there's nothing like enthusiastic applause).

The Great and the Tall


From left to right: Annie Christmas, Annie Oakley, Davy Crockett, Sally Ann
Thunder, Paul Bunyan, Slue Foot Sue, John Henry, Johnny Appleseed and
Pecos Bill in CYT's  "Great American Tall Tales."
And the performers in "Tall Tales" deserve the applause. Acting, in general, was good; no one was terrible and several were very good. All the chorus numbers were excellent. All of the the solos were at minimum bravely executed and mostly on key, though some slipped around a little and lacked a trained or well-practiced quality. However, a handful of the leads were really quite good.

Standout vocalists were Savannah Wetzler (Miss Peele), Maddie Hays (Johnny Appleseed) and Aimee Martin (Slue Foot Sue). All I Know, sung by Miss Wetzler, was my favorite of the show. The song had weight, a beautiful melody and was nicely delivered. Plant a Seed, sung by Miss Hays, was done well and had a good message. Abbi Decker (Darcy) also sang quite well (and she always looked like she was having fun).

Aimee Martin (Slue Foot Sue)
The big star of the show was veteran performer (this is her eleventh show with CYT) Aimee Martin. She was the best actress, had the best voice, the biggest smile, the most energy, and she snapped out the choreography like a pro.

Front row, left to right: Alice (Tori Jensen), Darcy (Abbi Decker) and
Travis (Tyler Lugenbeal).
Other standout actors were Emma Murgueitio (Sally Ann Thunder), Emily Warner (Annie Oakley), Brandon Doak (Pecos Bill) who sorta sounds like Larry the Cucumber when he sings (and I like that), Savannah Wetzler (Miss Peele), Madison Jooste (Sloane), Delainey Patterson (Ms. Stinson) and Tori Jensen (Alice). After Martin my other two faves were Jensen--a fun little bundle with a great spirit and lots of energy, and Patterson, who was so perfectly snippy and carried her part very well (I can't believe she's just thirteen).

The Telling of the Tale


The primary unit set was extremely well done--very nice. Some of the add-ins were troublesome to the crew, but the changes were generally quick. The lighting was adequate for the most part (a little dim at times for a musical, but the pallet was nice). The costumes were great. The show moved along at a good clip and stayed interesting.

The dance numbers were well conceived. The larger group choreography tended to be simpler while the smaller ensemble of leads had more difficult material. Kristi L. Foster served as choreographer and as director. The direction overall was good. At rare times, however, it seemed uninspired; mainly early in the show when there were uninteresting clumps, straight lines or semi-circles or throughout the production in crowd scenes (which are challenge for directors anyway).

And speaking of crowd/chorus scenes, it's hard to get a count from the program because of overlapping roles, but there were close to 40 performers--sometimes too many for the stage. But that's the nature of these kinds of shows; the more kids you can get in the show the more money you make off parents. (I know, I come off like a broken record.)

The "American" Way


Keep in mind that, like the American republic (of the people, by the people, for the people), this show was written of (about) kids, performed by kids and for kids, and you'll get what you expect (plus a little bit more). Children, and relatives and friends of the performers, will love the show. I enjoyed it, too.

Description: When a small group of kids sneak into a dusty museum exhibit during a field trip their adventure (and the exhibit) comes to life. They meet the beloved characters of American folklore and must save them from being forgotten by the next generation and being discarded by a messed-up curator.

Performances are at Fort Vancouver High School, now through Nov. 11. Saturday, Nov. 3 at 7 p.m., Friday, Nov. 9 at 7 p.m., Saturday, Nov. 10 at 3 and 7 p.m., and Sunday, Nov. 11 at 2 p.m.

Advanced purchase adult tickets are $12 (a little steep for this), youth, senior and group tickets are $9; family day tickets for November 3 are $9 in advance. All tickets are $2 more at the door. There are also school day performances as follows: Tuesday, November 6 at 9:30 and 11:45 a.m. Tickets for these performances start at $5.

For tickets go to www.cytvanport.org or call 360-­750-­8550 or email info@cytvanport.org.

By Gregory E. Zschomler

All photos provided by CYT as photography is not allowed.