REVIEW: "The Trial of Ebenezer Scrooge" Presented by Love Street Playhouse at the Columbia Theatre in Longview

THE TRIAL OF EBENEZER SCROOGE, by Mark Brown, will be presented in cooperation with Woodland's Love Street Playhouse and Longview's Columbia Theatre, now through December  22.

The Play

A year after his miraculous transformation, Scrooge is back to his old ways, suing Marley and the Ghosts. But, perhaps, things are not as they appear? Directed by Love Street's Melinda Leuthold, this "Trial of the Century," is sure to bring a few laughs (and some insight). This play may be all you need to bring the true Christmas spirit into your holiday season and the rest of your year.

While a bit wordy and slow in the first act (the playwright seemed more concerned with getting in a bevy of Dicken's quotes than moving the story along), the play's second act contains the bulk of the action as well as the reveal and message. Basically, much of the play is a talky recap of the proceedings of "A Christmas Carol" (as if we need a reintroduction to each of the characters)--something that should have been established in the first twenty minutes and not an hour.

The Players

Kevin Taylor as Ebeneezer Scrooge

The cast consists of Kyler Mitchell as Fred and The Ghost of Christmas Yet to Come, Mark Bergeson as Bob Cratchit and Marley Jacob,
Melissa Harte as Mrs. Cratchit, Sara Wainwright, The Translator and Mrs. Dilber, Kevin Taylor as Scrooge, J. Christopher Cleveland as Solomon Rothschild, Laurel Anderson as The Ghost of Christmas Past, Fan and Belle, Michael McElliott as Judge Pearson, and Craig Hoehne as The Bailiff.

Good performances were generally given by all. Some of the players are familiar to me from the LSP ensemble and some were not, though are likely familiar to the Longview theater patrons. There were a few standout performers worthy of special mention.

Mark Bergeson, Melissa Harte and Kevin Taylor
(costumes not final) in The Trial of Ebenezer Scrooge.

Though not quite the Scrooge you've probably come to expect (as played by the likes of Alastair Sims, George C. Scott, Albert Finney or Michael Caine perhaps), I kind of liked the portrayal given by Kevin Taylor. It had a different look and a bit of a different feel. Though young, and while he didn't sound at all British, Taylor played the role with the right mix of curmudgeon-ry and fiestiness.

I am usually very delighted by the talents of Laurel Anderson. She is a fantastic actress and truly amazing for her age. BUT I didn't see much of difference in the three disparate roles (Ghost of Christmas Past, Fan and Belle) she plays for this production. Her acting was fine, but the roles all ran together. This was possibly due to the quick change required--the parts came right after one another with no real time to get into a new character. (I'll explain more later on.)

Frankly, I am surprised, because I know she could have pulled it off and I am perplexed at why she didn't. I felt she could have played the Ghost of Christmas Past in a more child-like manner and voiced it in a higher register. I also felt that Belle could have been played with more maturity.

[However, as I have given this more thought I am wondering if the playwright intended to run these characters together and play them all young (as in the past) since they each develop out of the Ghost of Christmas Past. (?) If so, it doesn't really work well or needs to be better set up.]

Most of the cast did not do well with the British accent, and Christopher Cleveland's Yiddish came occasionally, but mostly went. Speaking of Cleveland, the role of Rothschild would be a huge undertaking for any actor and the biggest part I've seen him play. He handled it quite well and I genuinely liked his portrayal of the Jewish lawyer.

Mark Bergeson as the ghost of Jacob Marley takes the stand.

I also think Mark Bergeson was exceptional as Bob Cratchit. It was a truly great performance and one with the right accent and mannerisms (I especially liked the tic). However, I did not like his portrayal of Jacob Marley; the way he spoke drastically slowed the pace of the show and it began to drag and become tiresome.

The shining star of the entire ensemble was Melissa Harte. I must say, she seems to be an amazing actress. She played four (that's right FOUR) disparate roles with great aplomb. Each was distinctly different. All were hilarious and all with different physicality and voices, including different class accents. Wonderful!

The Production

Typically, one expects Love Street Playhouse to deliver a stunning show; even on their itty-bitty stage they deliver BIG theater. Combine that with what the Columbia Theatre has to offer and you would think there would be an ascent into amazing--a match made in heaven. I didn't find it so. I was expecting a notch up and it didn't deliver. I believe much of that had to do with the material, but I also don't think it was Leuthold's best directorial work (mainly due to pacing). I'm not saying the production was bad, I'm simply saying it didn't meet my expectations or the LSP standard I'm use to. However, it truly is a good show and...

The set design by Robert Cochran.

...you simply MUST see it for the set and costumes alone, if not for some outstanding performances and its message. 

The set (design by Robert Cochran) towers two actual stories, not simulated levels as limited by the Love Street Playhouse. While simpler than the usual Love Street Playhouse scenic detail (usually by Jeff and Melinda Leuthold) it is quite good. The cross, built into the judge's bench at center stage, is a subtle reminder of the power of redemption at the center of the Christmas message.

The show had a few effects as well. I wasn't going to mention some of the "magic" so that you might be surprised, but I have decided to discuss it here since I think they could have been done much better. Except for the candle blowing out at the end, none of the effects were really "magical" at all. Marley's appearance could have been more spectacular (which comes from the word specter) had the fog better obscured his entrance or another illusion been used.

The flying effect was poorly choreographed; it was as if no instruction or training at all on how to "sell it" were given to Anderson. Even with this simplest of rigs, flight (as opposed to mere hang) can be simulated with practice. [This is the fault of the flight company.] I don't feel Anderson was given enough time in the harness. [Which may the fault of not having the rig long enough.]

Finally, Anderson's transformation (costume change) from one character to another could have been better achieved as well. Each (but especially the first) was clumsy and needed another layer of effect (besides the sound effect) and much more rehearsal and slight-of-hand to make the magic work. We should NOT see the wires unclipped from the harness!

Lighting design by Kelly Ragsdale.

The colorful lighting (designed by resident LD/TD Kelly Ragsdale) uses a broader spectrum of fixtures not available at LSP. Front lit frosted panels provide much of the color and mood though some side lights also add to the palette.

Overall the lighting wasn't bad, but it wasn't great either. There were several areas of drop off across the lip of the stage and near the bench. A little texture on the floor (repeating the panel motif) might have been nice as well.

The costumes (design by Lori Anderson) are magnificent, which is to be expected from LSP. The sound design (by Joe "Mr. Utah" Jenkins) was also well done. And, technically, the show went on without a hitch.

The Price

Performances are at the Columbia Theatre for the Performing Arts in Longview with matinees at 2 p.m. and evening shows at 7:30 p.m. THIS WEEKEND ONLY. Check the ticketing site below for date/time information. Tickets are $16.50 to $21.50. For more information and a link to the ticketing site click here.

The beautiful Columbia Theatre in Longview, Wash.
Photo by Ruth A. Zschomler.

NOTE: I had the chance to speak with Gian (pronounced John) Paul Morelli, the Executive Director of Columbia Theatre, before the show, which was a delight. He enthusiastically explained to me that this "marriage" was an experiment. The theater usually offers the work of touring shows and artists (theater, music, comedy, etc.) and not local theater. He said this partnership was the first of many the theater hopes to form, offering one locally produced play each year. Bravo!

Review by Gregory E. Zschomler.

Photos, by Darci Elliott, provided, except as noted.

REVIEW: "The Best Christmas Pageant Ever" Presented by the 1st United Methodist Church

"The Best Christmas Pageant Ever" will be presented by Vancouver's First United Methodist Church Players and feature Portland's North End Players' regulars Debbie Larsen Walker, Sue Harris, and Amy Harris, under the direction of Tim Luke.

I have hadn't seen this play before, but found it delightful.

"In this hilarious Christmas classic, a couple struggling to put on a church Christmas pageant is faced with casting the Herdman kids--probably the most inventively awful kids in history.  You won't believe the mayhem, and the fun, when the Herdmans collide with the Christmas story head on!" (Samuel French)

In the book the Herdmans swear, smoke cigars, are abusive, etc., (generally very bad kids), but I have no cautions for the play. Though they talk about these things--and even mention sex (oh, my!)--there is no swearing or smoking actually going on. I think it's safe to bring the whole family.

Anyway, for anyone who's ever put on a Christmas pageant or church play this will hit the spot. Some of my early stage experiences were at this very church and my first band performed on this very stage. I am happy to see new talent (some thirty years later) still honing their talents and dreams on that stage. Bravo for the vision of Tim Luke, director!

Delights:

There were some new (first time) actors and actresses on the stage with a handful of seasoned players, so the skill levels were a mixed bag. Still, a delightful show full of comedy, whimsy and great lines. The play is also somewhat touching and and shared some important messages about redemption and how even the "baddest" people can be changed by the "goodest" story ever.

Opening night was packed and everyone seemed to genuinely enjoy the performances. The facility and stage are very nice so it's good to see it in use. The show moved well and had only a few minor problems (sometimes hard to hear even with mics ringing on the edge of squeal). The set was nice, costumes perfect and the lighting adequate.

There are kids of all ages and (again) some of the talent lacked experience, but that's okay. This is a new outreach for the church and I hope there will be many more productions to come. Standout performances were given by three youth: Kayla Peck as Beth Bradley (the narrator), Jaycee Williams as Imogene Herdman (the ringleader of her clan), and Amelia Harris (as her younger sister) Gladys Herdman. I enjoyed Peck's professionalism and emotive acting. Williams, though soft-spoken, had great spunk. But it was Harris who was a real kick in the pants.

Details:

Remaining shows (which run about an hour) are December 14 and 15, Friday and Saturday evening at 7:30 p.m., Sunday matinee at 2 p.m. The shows are FREE (donations for the theater ministry are gladly accepted). AND it's dessert theater! Shows are at the First United Methodist Church, 401 E. 33rd Street, Vancouver, Wash. (upstairs in Jason Lee Hall).

Review by Gregory E. Zschomler.

"A Christmas Carol" and "Christmas Comes to Us Indians..." with Serendipity at VOCA

You need a Christmas Dickens fix? 

Serendipity's got it and more. Check out their reader's theater shows coming Dec. 20 and 21. All the information is here.

http://www.brownpapertickets.com/
event/517743

In Addition: New Openings at a Theater Near You, Just in Time for the Holidays

MACBETH, the Shakespeare tragedy, opens tonight, November 22 at Evergreen High School at 7 p.m. and also plays tomorrow night. The Bard's bloody classic is presented  with a contemporary twist by the school's theater department in their auditorium, 14300 NE 18th. Tickets are $7 or $5 for students. For more information call 360-604-3716 or see www.ehsdrama.com.

THE MATCHMAKER, Thornton Wilder's classic comedy, will also be presented by Washougal High School at 7 p.m. tonight and tomorrow night at the Washburn Performing Arts Center, 1201 39th St. in Washougal, Wash. Tickets are $6 or $5 for students and seniors. Call 360-954-3136 for more information.

COMING SOON:

UH, OH, HERE COMES CHRISTMAS, based on Robert Fulgram's book, and adapted to stage by David Caldwell and Ernest Zulia, and presented by Rising Star Productions, will open December 6 in at the Rising Star Theater in Kelso, Wash. All performances are presented in their space at the Three Rivers Mall; December 6, 7, 13, 14, 20 and 21 at 7:30 p.m. with additional matinees on December 14 and 21 at 2 p.m. Tickets are $10 general, $5 for children (12 and under) and $8 for seniors (65+). Tickets at: http://www.risingstarproductions.org/tickets.html Keep an eye peeled for our upcoming review.

TUNA CHRISTMAS also opens at Longview's Stageworks Northwest December 6 and runs through December 29. Shows are Friday and Saturday at 7:30 p.m. and Sundays at 2 p.m.

In this hilarious sequel to (the also hilarious) "Greater Tuna," it's Christmas in the third smallest town in Texas. Radio station OKKK news personalities Thurston Wheelis and Arles Struvie report on various Yuletide activities, including hot competition in the annual lawn display contest. In other news, voracious Joe Bob Lipsey's production of "A Christmas Carol" is jeopardized by unpaid electric bills. Many colorful Tuna denizens, some you will recognize from "Greater Tuna" and some appearing here for the first time, join in the holiday fun. All seats are $12. Click here for tickets. And watch for our review, too.

Magenta's Improv Theater (MIT) opens their Christmas Improv the following week on December 13 at the Magenta Theater, 606 Main St. in Vancouver. MIT gets into the (family-friendly) Holiday Spirit with a very special weekend of seasonal inspired holiday shows! Join them as they spice up their improv and sprinkle it with some extra special musical goodness! Featuring a few special guest musicians from Magenta’s own Bad Agent Band, they will make you laugh, chuckle and guffaw, and maybe even sing-along or hum a happy tune!

And let’s not forget the Kids! They will also have a special matinee show just for them! It’s a special Kids inspired MIT show filled with lots of fun and games destined to trigger fits of kid-sized giggles (and laughs for the grown-ups, too)!

Presented Friday, December 13 at 7:30 p.m.; Saturday, December 14 at 7:30 p.m. Doors Open at 7:00 p.m. Evening Shows General Admission Seating Tickets are $12. The Kid's Matinee is Saturday, December 14 at 2 p.m. at tickets are $8 for adults and $5 for children (12 and under). For information visit their website. Tickets Available Now - Click Here.

THE TRIAL OF EBENEZER SCROOGE, by Mark Brown, will be presented in cooperation with Woodland's Love Street Playhouse and Longview's Columbia Theatre, December 19 through 22. There are five shows, three evening and two matinee.

A year after his miraculous transformation, Scrooge is back to his old ways, suing Marley and the Ghosts. Directed by Melinda Leuthold, with a great talent line-up, this "Trial of the Century," is sure to bring laughs (and insight). Performances are at the Columbia Theatre for the Performing Arts in Longview and tickets are $16.50 to $21.50. Maybe that seems a bit on the high side, but based on the quality of Love Streets past productions and the class of this historic (and new renovated) theater it will be money well spent.

For more information and a link to the ticketing site click here. And be sure to watch this blog for our upcoming feature story and review (the Friday following Thursday's opening).

ONE WEEK LEFT TO BACK THIS SHOW!

REVIEW: “A Living Nativity” at Living Hope Church, a Live Journey Through Time

The reason for a “living” Nativity is, not only do human actors represent the main characters of the story but live animals are included. They consist of sheep, a mule, cows and even a camel (also a petting zoo for the kids). Pretty impressive and very much adds to the atmosphere of the proceedings.

The Three Wisemen or Kings bow before the Christ-child.

The depicted story should be very familiar to most Americans: Mary and Joseph are returning to Bethlehem for a census. Since there is no room for them at the Inn, they are forced to stay in a stable with animals. The baby Jesus is born there in a manager. A very bright star induces some shepherds to this place, as well as three Kings from the East, in which they all bow down and adore him, as the Savior that has been prophesied.

Shepherds adore the infant in the manger with Mary and Joseph.

There is very little interaction in dialogue among the cast (except for the sheep, who bleat in whenever they feel like it). The Mary does have a lovely singing voice. And a choir, bedecked with candles, underscores the events. There is an off-stage narrator (Mark Kelly) who outlines these proceedings from the New Testament. But the main Host for the evening is John Bishop, Senior Pastor. He intersperses the scenes with factual items from that period of time.



He also adds how these events and the teachings of Jesus are reflected in the modern world. The history, in particular, is quite interesting. And Pastor Bishop seems a very personable and approachable man and his easy, conversational style of speaking are very effective in this type of environment. As mentioned, the only editorial comments seem to come from the four-legged creatures that also inhabit the space.

Pastor John Bishop (who once pet a tiger) with Curly the Camel.

The set was effective and the lighting (designed by Gregory Zschomler and Roy Fisher) was quite good, especially with the strobe (lightning) effects at the beginning. The miking was clear and the costuming also effective. The live animals were definitely an asset, adding an authenticity to the production.

The only drawback for this reviewer was that there was no program. No way to give credit to the actors or director or crew. The show is about an hour long and definitely a family affair. This is the popular show's fourth year and the second at the City Campus. Weekend shows, especially Sunday (especially 11 a.m.) will be quite full. Go early for a good seat.

An angel choir sings against the starry night sky.

Remaining Dates and Times: Thursday, December 20, 7 p.m.; Friday, December 21,7 p.m.; Saturday, December 22, 6 p.m.; and Sunday, December 23, 9 a.m., 11 a.m. (deaf interpreted) and 1 p.m. Living Hope Church City Campus is located at 2711 NE Andresen Road, Vancouver, Wash. in the old K-Mart building.

My best to you and yours on this Blessed Celebration! “God Bless Us All, Every One!”

Visit http://alivingnativity.com/ for more information.

By Dennis Sparks, guest reviewer (www.dennissparksreviews.blogspot.com for Portland and Ashland area theatre reviews)
Photos and video provided.

REVIEW: Slocum's "It's a Wonderful Life" is Wonderful

Chances are you're quite familiar with the holiday movie classic "It's a Wonderful Life" starring Jimmy Stewart. If not here's the basic synopsis:

It's the Christmas season and George Bailey's life is falling apart. In despair he gets drunk and, then after running his car into a tree, decides to jump off a bridge. An angel, named Clarence, saves his life, but he "awakes" in a life where he never existed and, therein, gets to see that his life has mattered and that his friends and family are truly dear to him. He "reawakens" to the moment he was about to jump and finds that things really do work out for good.

The Show Must Go On

The cast and "radio studio"set for Slocum Players It's a Wonderful Life.

After months of hiatus, the Slocum Players are back and open their resurrected life with a classic story of resurrection. "It's a Wonderful Life" (by Joe Landay) will be presented as a live radio show now through Dec. 16 at the Friends of the Carpenter workshop/warehouse, 1600 W. 20th St. in Vancouver, and Dec. 22 as a dinner theater at Tommy O's, 831 Washington St., Vancouver. Their own Sassy Ape Theater has not yet been approved for occupancy.

Encore! Encore!

John Borgen

The costumed production, presented with a minimal set and live sound effects, is wonderfully directed by Corrie Graham and Jamie Montgomery and features John Borgen, Mickey McGee, John Richards, Danyelle Tinker Lowder, Susan Van Atter and The Foley Sisters: Lynn Lampkin and Glydene Reinmiller.

If the line-up sounds familiar that's because Slocum presented the show last year with the exact same cast.

Mickey McGee

And that cast is mighty talented. Each plays several parts (though some more than others). The guys especially were good at doing multiple voices. All were exceptional, but Borgen and McGee really had to lay down a variety of characters. Richards' George Bailey voice was much akin to that of Jimmy Stewart. In fact, the voicings all paid homage to the movie characters you love. Several of the actors had to switch instantly and seamlessly between two or even three voices in a single conversation (with themselves)! I thought only Robin Williams could do that. ;)

John Richards

Pre-show (just before "going on the air") the ensemble does interact in character with the audience which adds to the evening's charm. Midway they also present a couple humorous "sponsor" commercials.

While the set was a bit on the iffy side, the costumes, hair and makeup were marvelous and technically the show came off like a dream. Lighting was simple (four Fresnels and an overhead pan), but was all that was required. The Foley (sound) effects were effective, but were subjected to the back of the stage where they could not be watched (which is part of the fun for these "live radio" shows). Also I felt that the musical tracks could have been a little hotter.

Danyelle Tinker Lowder

Less than ideal was the setting: a slightly chilly warehouse/carpentry shop. Somewhat make-shift, but an available space none-the-less. Friends of the Carpenter was good enough to open their building (free of charge) to the Slocum Players since their own space (Sassy Ape Theater) has not been approved for occupancy. Friends of the Carpenter is a unique ministry that helps the homeless by giving them training and employment through woodworking. Their showroom is open to the public prior to and after the show (and they have a large assortment of nice pieces for purchase).

Susan Van Atter

I think one thing would go a long way to improve the viewing experience: a black drape upstage. Otherwise, I pretty much got lost in the show and forgot where I was.

It's a Wonderful Show

This production has a very talented cast and they are a joy to watch and hear. If you love the movie you will probably love this presentation. I know I did. Very enjoyable, very well done, and very merry. Please go and help Slocum Players raise the funds they need to get Sassy Ape open!

Glydene Reinmiller

If you plan to go to the regular (non-dinner) show, dress warmly and Google Map the route or use your GPS; several patrons got lost. General directions are: Drive west on Mill Plain over the railway tracks and take the first right following the white sandwich board signs that say "Slocum Players".

Showtimes are as follows: 7:30 p.m. Dec. 8, 14 and 15; 2:30 p.m. Dec. 9 and 16 and the Dec. 22 dinner theater begins at 6 p.m. with curtain at 7 p.m. Tickets are $12 at the door.

Dinner Theater

Lynn Lampkin

The Dec. 22 Dinner Theater at Tommmy O's includes hors d’ourves, of Hawaiian Meatballs, Stuffed Phyllo Shells, Fruit and Cheese Platter, Spiced Nuts; a Salad Course of Organic Mixed Greens with Balsamic Vinaigrette and Ranch Dressing and Hawaiian Sweet Rolls with Butter all served family style at tables of 4-7 people. Plus Entrée Selections (choice of): Sweet and Spicy Papaya “Airline” Chicken Breast, Coffee Rubbed Flat Iron Steak (both are gluten-free) or a Vegetarian selection of Tofu and Vegetable Curry served over garlic mashed potatoes and a vegetable medley; and, of course, a dessert of assorted cupcakes, cookies and bars by Treat Bakery.

John Richards as George Bailey speaks with 

Susan Van Atter as Violet Bick.

The agenda for that evening is as follows: Doors open at 6 p.m.; guests will be seated at 6:45 and order dinner entrees; the show begins at 7 p.m.; Intermission will be at 7:40 p.m.; dinner will be served at 7:45 p.m.; the second act will begin at 8:20 p.m.; and dessert and coffee will be served at 9 p.m.

RESERVATIONS RECOMMENDED!

The actual running time of the show is about 90 minutes.

Christmas decorations grace the front window of Slocum Players' not yet opened Sassy
Ape Theater. You can help open their doors by attending this production. Photo provided.

Dinner Show tickets are $50 per person (includes ticket price, dinner, tax and gratuity). All beverages (aside from the coffee with dessert) can be purchased for an additional charge the night of event. Tickets are sold through Tommy O’s Bistro ONLY.

Review, photographs and video (except as noted) by 
Gregory E. Zschomler

Serendipity's Hilarious Holiday Show Will Ring Your "Christmas Belles"

“Christmas Belles” by Hope, Jones, and Wooten at Serendipity Playhouse is...

 HILARIOUS! 

You simply MUST see it. I haven't laughed so much for I don't know how long. I laughed so hard I cried. And I wasn't the only one--the packed house roared with merriment as well.

“I’ve been wanting to do this play for a couple of years,” Tony Broom, artistic director, said. “It’s funny and it has some sweet moments. It’s a good show for this time of year.”

No, Tony, it's an EXCELLENT show for this time of year, sure to take the edge off holiday stress and touch the heart as well.

The Situation(s): 

It's Christmas-time in the small town of Fayro, Texas, and the Futrelle Sisters—Frankie, Twink and Honey Raye—are not exactly in a festive mood. A cranky Frankie is weeks overdue with her surprise twins. Her husband, Dub, is trying to make ends meet playing Santa while passing a kidney stone. Twink, recently jilted and bitter about it, is in jail for inadvertently burning down half the town while seeking revenge on her two-timing lover. And hot-flash-suffering Honey Raye is desperately trying to keep the Tabernacle of the Lamb's Christmas Program from spiraling into chaos. But things are not looking too promising.

Much of the cast of "Christmas Belles" at Serendipity Playhouse.

About the Play:

“Christmas Belles” is a contemporary theatrical comedy in two acts. The script is an absolute genius farce, and for this reason needs a great cast to pull it off.

"A farce is a comedy which aims at entertaining the audience by means of unlikely, extravagant, and improbable situations, disguise and mistaken identity, verbal humor of varying degrees of sophistication, which may include word play, and a fast-paced plot whose speed usually increases...[and] is also characterized by physical humor, the use of deliberate absurdity or nonsense, and broadly stylized performances." Source: Wikipedia

The characters are indeed broadly stylized and yet they are people you know or are in situations you can relate to. That's what makes this play so funny and warm. Trust me, you will relate to someone in this play.

About the Cast:

Adam Lau Kunze as Santa's helper.
Santa played by Brian Reed.

 

“Christmas Belles” features Cindy Swager, Joni Moore, Stephanie Carlson, Patrick Roth, Debra Hudkins, Brian Reed, Courtney Maxwell-Shey, Lyn Mullen, Adam Kunze, David Hudkins, and Rebecca Rowland Hines. All gave winning performances.

Joni Moore, as the on-the-edge, hot-flash-suffering, too-much-on-the-plate Honey Raye, gave a good performance. She gets to the point where you just know she's going to lose it, but manages to hold it all together (with a little help). Her facial expressions and physicality are great, but having seen her in a couple shows now and she seems to always play the same type of character.

Patrick Roth is a hoot as not only Sheriff John Curtis, but in an alter ego role as well. Debra Hudkins as Twink, his almost psycho prisoner and Stephanie Carlson as Gina Jo, the true-hearted daughter are both delightful. They play their roles with just the right quality, though neither really gets the limelight in this show.

But four performers top the tree: Brian Reed as Dub, Courtney Maxwell-Shey as Frankie, Adam Lau Kunze as Justin and David Hudkins as Raynerd.

Courtney Maxwell-Shey, left, as Frankie and Brian Reed
as her husband Dub.

Reed is a gas. (Now there's an old term.) Oh, he made me laugh. He is just so very good. I do not know how to explain it except to say, I have passed a kidney stone, I know how it feels. He embodies that and it's not funny, but it is. Great physicality and vocal delivery.

Maxwell-Shey also captured her "condition." As an emotional pregnant roller-coaster she rocks or, ah, rolls, whatever the case may be. While she has some physical comedy, movement is limited by her pregnancy appliance, so most of her comedy is played on her face or the way she delivers the lines.

Adam Lau Kunze

 Kunze is probably the best at everything. His physicality, his gestures, his facial expressions, his vocal intonations, his sense of comic timing, all combine to develop a perfect character and superb performance.

Kunze may very well be a rare acting genius. He intends to pursue an acting career in Hollywood, and I think he can do it.

David Hudkins

And David Hudkins as the the slow-witted Raynerd was wonderful. Tactfully and genuinely played, he could give Dustin "Rainman" Hoffman a run for his money. A very heartwarming, funny, but sensitive performance.

One final thought on the cast: Maybe a few too many "imports from over the river." Artist Director Tony Broom, has built a few friends over the years from that neck of the woods. We have talent in SW Washington, too.

About the Technical:

The show was masterfully directed and designed (except as noted below) by Alicia Marie Turvin. Jack Wells--as Turvin's right-hand-woman, managed the backstage, served as stage manager, properties mistress, costumer and soundboard operator--kept everything running smoothly.

Joni Moore, from left, as Honey Raye, Patrick Roth as
John Curtis and Debra Hudkins as Twink.

Serendipity Playhouse is a small theater with a small budget, but they do big things with what they have. An all new lighting rig (design revamp required by the city) was used well. The show's lighting design, by Turvin, was well executed and the actors well lit. Which is something considering the low trim height and that the instruments are all PAR 56's.

I liked how she often lit one scene on one side of the stage while the other side, unlit, was changed for the next scene. It kept the show moving, however, there were a couple of scenes that would have benefited from a house curtain, but they made it work.

The playhouse has never yet had a great set. (Which is possible in a small theater, I see it all the time). They build walls that contain the right number of entries, throw in the minimal dressings and that's about it. There isn't the attention to period or detail there could be.

Performances:

The show is not only funny, it is touching and speaks truth. I believe it will warm your heart and make you glad your Christmas stress isn't like this.

From left: Rebecca Rowland, Stephanie Carlson, Joni Moore, Debra Hudkins,
Courtney Maxwell-Shey, Lyn Mullen, and Cindy Swager in "Christmas Belles."

The production run includes further performances at 8 p.m. on December 7, 8, 14, 15, 21 and 22, with Sunday matinee performances at 2 p.m. on December 2, 9, 16, and 23. Thursday, December 6 at 8 p.m. is a "Pay What You Will" performance. All performances take place at The Serendipity Playhouse, 500 Washington St., Vancouver, Wash.

PERFORMANCES ARE SELLING OUT, GET YOUR TICKETS NOW!

Tickets:

Tickets are $15 general admission and may be purchased online at www.serendipityplayers.org, or reservations can be made by calling 360-834-3588. Tickets may also be available at the door. Doors open 30 minutes before the performance.

 

Review by Gregory E. Zschomler
Photographs and videos by Ruth Zschomler.

REVIEW: "White Christmas" from Rising Star Productions Takes You Down Memory Lane

WHITE CHRISTMAS

Longview's Rising Star Productions presents a stage adaptation of the beloved film musical "White Christmas" which starred Bing Crosby, Danny Kaye and Rosemary Clooney. Music by Irving Berlin and a book by David Ives and Paul Blake.

The Story: Bob Wallace and Phil Davis are army veterans who have created a successful vaudeville act following the end of World War II. They meet the lovely Haynes sisters and follow them up to a Vermont lodge that just happens to be owned by their old army commander, General Waverly. Learning that the inn is on the brink of failure, Bob and Phil step in with a plan to save the inn, and the dignity of their beloved commander.

Includes the songs we all love: White Christmas, Blue Skies, Sisters, We'll Follow the Old Man, and many others.

Jueanne Meyers, Eric Gerdlund and Laura Ouellette Tack

What to expect: The movie "White Christmas" has long been a holiday favorite. If you haven't seen it in your lifetime, no matter what your age, you've probably been living under a snow bank somewhere in the frozen north. It is a great musical right up there with "Singing in the Rain," therefore your expectations are probably rather high.

Well, we oft need to come down off our high horse and fall in love with the efforts of community theater. Hollywood has the best of the best and one is hard-pressed to find that kind of talent on a local level. Live local theater is a great treat and it's fun to see local talent pour their heart and soul into good family-friendly entertainment.

That's what you're going to get here. Good people doing good things; maybe not the best, but good none-the-less. And, honestly it's quite fun and refreshing to see such a familiar show in a new light.

Peter Ouellette and Eric
Gerdlund perform "Sisters"

What you will and won't get: You won't get Bing Crosby and Danny Kaye. Get over it. You won't get a soaring orchestra delivering Irving Berlin's fantastic music. And you won't get glamorous sets. What you will get is a fine performance with splendid piano accompaniment (by Greg Moore), some great costumes (by Jueanne Meyers) and good performances. Plus, you'll have a good time.

Frankly, it's quite amazing what Rising Star has done with a common mall retail space. The pipe and drape "theater" is pretty cool. The simple lighting--consisting of eight ellipsoidals, two Fresnels and about a eighteen hardware store floods lamps--more than adequately lights the show. The dances (choreographed by Kristi Larson) are good and the direction (by Laurel Moore) is very well-conceived. There were no technical problems.

Sure, I can see ways to improve the show. I would have liked to see some kind of snow effect in the finale. While that number was the show's best, it was still a let down when "the barn doors are opened." I feel the the train ride could have used some simulated motion (by the actors) and effects (lighting and audio). I also wish the sets weren't so simple and that the changes didn't take so long to load.

The dance ensemble/chorus with Ouellette Tack (center).

What's really appreciated is how this show was projected so well to the audience without the use of mics (rare these days). All performers did a good job of reaching the back of the intimate theater with their voices, with the exception of Jueanne Meyers who is a tad "soften spoken" when it comes to singing compared to the others (though she has a lovely voice).

Norm Vader as Gen. Waverly

The Cast: The leads sang well enough, though the women were superior to the men by leaps and bounds. Jueanne Meyers (as Betty Haynes; the Clooney role), Laura Ouellette Tack (as Judy Haynes), and Stephanie Biwer (as Martha Watson) were all quality vocalists. All cast members handled the dances well enough, though the tap sequence, while not Fosse and Glover, approached greatness.

Stephanie Biwer as
Martha Watson

Peter Ouellette played Bob Wallace (the Crosby role), Eric Gerdlund played Phil Davis (the Kaye role) and performed nicely. Standout performances were given by Biwer (in the Mary Wickes role) who was exceptional in every way. She is a very good and amusing comic actress, much like Wickes. Norm Vader as General Waverly was also quite good. His gruff, yet warm, character is nicely played and the moment he realizes that he is standing before his platoon is in a moment strikingly real and moving.

All Performances of "White Christmas" at Three Rivers Mall (near Macy's) in Kelso, Washington. ONLY seven remaining performances over five days! 

Park in front near the Three Rivers logo across from Pier 1 Imports for easiest access back to your car after the performance.

Dates and Times: Sat., Nov. 17, 7:30 p.m.; Fri., Nov. 30, 7:30 p.m.; Sat., Dec. 1, 2 and 7:30 p.m.; Fri., Dec. 7, 7:30 p.m.; and Sat., Dec. 8, 2 and 7:30 p.m.

Ticket Prices for All Shows: $10.00 adults, $5.00 children (under 16), $8.00 Seniors (65+); click here for tickets.

Review by Gregory E. Zschomler
All photographs provided.

Christmas Belles" Opens November 30 at Vancouver's Serendipity Playhouse

Vancouver, Wash. Serendipity Players is proud to present their final production of the 2012 season, “Christmas Belles” by Hope, Jones, and Wooten from November 30 through December 23rd at Serendipity Playhouse, 500 Washington Street, Vancouver.

Plot:

A church Christmas program spins hilariously out of control in this southern farce about squabbling sisters, family secrets, a surly Santa, and a reluctant Elvis impersonator.

“I’ve been wanting to do this play for a couple of years,” Tony Broom, artistic director, said. “It’s funny and it has some sweet moments. It’s a good show for this time of year. I’m also happy to have turned the directing reins over to Alicia Marie Turvin. We’re lucky to have her.”

Performances: 

Opening night is November 30 at 8 p.m. The production run includes performances at 8 p.m. on December 1, 7, 8, 14, 15, 21 and 22, with Sunday matinee performances at 2 p.m. on December 2, 9, 16, and 23. Thursday, December 6 at 8 p.m. is a "Pay What You Will" performance. All performances take place at The Serendipity Playhouse, 500 Washington St, Vancouver WA

Tickets: 

Tickets are $15 general admission and may be purchased online at www.serendipityplayers.org, or reservations can be made by calling 360-834-3588. Tickets are also available at the door. Doors open 30 minutes before the performance.

About the Play and Cast:

“Christmas Belles” is a contemporary comedy in two acts. “Christmas Belles” features Cindy Swager, Joni Moore, Stephanie Carlson, Patrick Roth, Debra Hudkins, Brian Reed, Courtney Maxwell-Shey, Lyn Mullen, Adam Kunze, David Hudkins, and Rebecca Rowland Hines. Directed by Alicia Marie Turvin.

Serendipity Players is a non-equity, semi-professional theater company.

See our review here December 1.