Showing posts with label Harvey. Show all posts
Showing posts with label Harvey. Show all posts

Saturday, April 6, 2013

REVIEW: Love Street's Comedy-Drama "Harvey" Wrestles with Reality and a Rather Large Rabbit

An Invisible Rabbit?


"Harvey" is a sweet gem from the 1940s and starred Frank Fay on Broadway. It was made into a film starring James Stewart and made-for-TV with Art Carney. It has played constantly at high schools and community theaters ever since then. This is always a crowd-pleaser and last night’s fans were no exception.

[Note: Another jewel that Love St. might consider from the same author is "Mrs. McThing" which starred Helen Hayes, a sort of prelude to Mary Poppins.]

"Harvey" concerns a "tippler" named Elwood P. Dowd (Paul Segren—who resembles Mr. Fay a bit). He is a friend to kin and stranger alike, especially a pooka named Harvey. Harvey seems very opinionated, enjoys imbibing a bit too much, perhaps, can foretell the future and, oh, yes, he’s a rather tall, white rabbit and invisible (to most people). Needless to say his presence is a constant embarrassment to his affluent family, his sister, Veta (Joann McClanahan) and his niece, Myrtle (Glendyne Reinmiller).

His kin seem to love this dear, little man, in their own way, but would rather control the family fortune with Elwood snugly tucked away in a sanatorium. I mean, who wouldn't  being related to a person who is friendly to strangers on the street and invites them home to play cards; or asks a phone telemarketer over to dinner; or offers to buy everyone drinks at the local pub; and then, of course, there is the problem with…Harvey. A stranger trapped in a strange land…for both of them, perhaps.

His sister and niece conspire, with the help of a Judge (Tom Golik), to have him put away or, better yet, be cured by the famous Dr. Chumley (Michael McElliot) and his associate, Dr. Sanderson (David Roberts). The problem is that Elwood manages to befriend everyone, friend and foe alike. His (and Harvey’s) charms work a deep magic on all, and when his Waterloo seems to be inevitable…well, you just have to see it, won’t you.

An Incredible Actor


The success of the play lies mainly with the actor who plays Elwood. He has to convince us of his belief in the unbelievable. He has to charm an audience with his very presence. He has to be the better side of us all, the child-like, trusting spirit that exists within. And Segren is more than up to the task. He has convinced us in past shows of the darker side of humanity. Now he has rotated full circle to portray the lighter part of the human spirit. These outstanding examples of his talent mark him as a true artist. Bravo, Paul! See his Artist Profile here.

Another noteworthy performance is McElliot as Chumley. He has the timing and essence of the character and is fun to watch as we see his transformation. Hope to see more of him onstage. Overall, the rest of the performances are good, but seemed uneven with slow cues and awkward pauses at times. This was opening, so I assume these will be ironed out as they adjust to the audiences. And the audience, as mentioned, fully enjoyed the production. Director J. Christopher Cleveland has brought in all the right ingredients for a very good show. 

An Interesting Staging


I must admit that the set changes [a first for LSP, since they usually have a unit set] became a delightful part of the show. The speed in which it was transformed from a room in a mansion to a doctor’s office was amazing and drew well-deserved applause from the audience. The lighting effects, attempting to highlight certain individual moments in the play, were a good idea, but they simply don’t have enough instrumentation to pull them off effectively.

A Side Note: In the past, drunks were portrayed on the stage and in film with some amusement: As per example, Frank Fontaine in Jackie Gleason’s TV show, or Foster Brooks on variety shows, or Dudley Moore as Arthur (perhaps a kissing cousin to Elwood). Nowadays, it is considered a disease. Wisely, Elwood is not played as a drunk, but a man with a gentle spirit. So, it is that “spirit” we should be in tune with, when watching the play. 

I recommend this show (for the whole family). If you do go to see it, please tell them Dennis sent you.

The classic comedy-drama, "Harvey," by Mary Chase, directed by J. Christopher Cleveland and produced by Melinda Leuthold, is playing now through April 21. The theater is located at 126 Love St., Woodland, Wash.  (only a few minutes from I-5). For ticket and season information go to www.lovestreetplayhouse.com 

Review by guest blogger Dennis J. Sparks  

Wednesday, April 3, 2013

COMING SOON: This Month's Theater Offerings Sure to Please

"Harvey" opens this weekend at the Love Street Playhouse. Our review, by Dennis Sparks, will appear by noon Saturday.

Next week we review both Stageworks Northwest's production of "The Secret Garden" (review by Gregory E. Zschomler) and the Rising Star production of "Camelot" will be reviewed by Dennis Sparks (both in Longview).

Our reviews will appear by noon the day following opening night.

The following week we are pleased to be able to review the Northwest debut of Disney's "TARZAN" at NHCC in Eugene (both Dennis
and Greg will review the show).

We will also review "Shadowlands" at Vancouver's Magenta Theater (reviewed by Dennis). The Magenta review will appear on the 21st and the NHCC review will appear on the 22nd.

See our preview of "TARZAN" here.

AND, coming up in June, both Dennis Sparks and I will review three shows playing at the Oregon Shakespearean Festival in Ashland, Ore.

Monday, March 25, 2013

COMING SOON for the SW Wash. Spring 2013 Theater Season

Here's a list of shows you might want to catch this season. Can't decide? Read our upcoming opening night reviews.



HARVEY, opens April 5 at Love Street Playhouse (Woodland), directed by Christopher Cleveland.

Elwood P. Dowd is an affable man who claims to have an unseen (and presumably imaginary) friend Harvey — whom Elwood describes as a six-foot, three-and-one-half-inch tall pooka resembling an anthropomorphic rabbit. Elwood introduces Harvey to everyone he meets. His social-climbing sister, Veta, increasingly finds his eccentric behavior embarrassing. She decides to have him committed to a sanitarium to spare her and her daughter Myrtle Mae from future embarrassment. When they arrive at the sanitarium, a comedy of errors ensues.


CAMELOT, opens April 12, presented by Rising Star Productions (Longview) at their theater in Three Rivers Mall (Kelso).

This beloved musical by Alan Jay Lerner and Frederick Lowe, which played on Broadway for over 800 performances. It is the story of King Arthur, his lovely wife, Guenevere, and his best friend, Lancelot. King Arthur is determined to create a kingdom where might is used for right and the knights are a force for good. This musical includes songs such as: If Ever I Would Leave You, What Would the Simple Folk Do, The Lusty Month of May, How to Handle a Woman and many more.


THE SECRET GARDEN, April 12 presented by Stageworks Northwest (Longview). 

Winner of three Tony® Awards, this enchanting classic of children's literature is reimagined in brilliant musical style by composer Lucy Simon and Marsha Norman, the Pulitzer Prize-winning playwright of "'Night Mother." Orphaned in India, 11 year-old Mary Lennox returns to Yorkshire to live with her embittered, reclusive uncle Archibald and his invalid son Colin. The estate's many wonders include a magic garden which beckons the children with haunting melodies and the "Dreamers", spirits from Mary's past who guide her through her new life. "The Secret Garden" is a compelling tale of forgiveness and renewal.


SHADOWLANDS, opens April 19 at Magenta Theater (Vancouver).

This West End and Broadway hit is the love story of C.S. Lewis - Oxford don and author of The Chronicles of Narnia - and American poet Joy Davidman. Lewis is smug in his convictions about God and His plan for the world until Joy and her young son enter his life. This is a deep, meaty and dramatic play that will touch you.


ONCE UPON A MATTRESS, opens April 25 presented by Prairie-Ground Drama (Battle Ground).
"Once Upon a Mattress" features music by Mary Rodgers along with lyrics by Marshall Barer and book by Jay Thompson and Dean Fuller. The musical original started life off-Broadway, before coming to the mainstream theater in 1959. The musical-comedy script is based on the classic fairy tale "The Princess and the Pea" and features a number of catchy songs. 


REASONS TO BE PRETTY, opens May 3 at the Clark Community College Decker Theater (Vancouver). Directed by Pat Rohrbach.

In "Reasons to Be Pretty," Greg’s tight-knit social circle is thrown into turmoil when his offhand remarks about a female coworker’s pretty face and his own girlfriend Steph’s lack thereof get back to Steph. But that’s just the beginning. Greg’s best buddy, Kent, and Kent’s wife, Carly, also enter into the picture, and the emotional equation becomes exponentially more complicated. As their relationships crumble, the four friends are forced to confront a sea of deceit, infidelity, and betrayed trust in their journey to answer that oh-so-American question: How much is pretty worth?



A MAGICAL MELODRAMA, opens May 3 at Love Street Playhouse (Woodland), presented by Golden Garter Family Theater. Written and directed by magician, ventriloquist and comedian Steve Taylor.

A comedy-spoof-magical adventure, fracturing for fun the conventions of the classic melodrama! The perfect family theater outing, “A Magical Melodrama” was a big hit in all of it’s previous presentations and now you can create a family-friendly event that will give you “memories that will last a lifetime!” Clean enough for kids, clever enough for adults, bring everyone to this hilarious spoof and “laugh ‘til your cheeks hurt!”


CLOUD 9, opens May 22 at the Rose Center for the Performing Arts, presented by Lower Columbia College (Longview). 

A time shifting British-African comedy by Caryl Churchill. Both parody and spoof of the 1880s Victorian Empire and its rigid attitudes towards sex. The play shifts twenty-five* years later to London in 1980 where all the characters' repressed sexual longings have evaporated along with the British Empire. (*Editor's Note: I know, I know, it's not a typo, it's a plot device.)

FUDDY MEERS, by David Lindsey-Abaire, opens May 31 at Serendipity Playhouse (Vancouver).

A woman with a rare form of amnesia wakes up every morning a blank slate. Her husband explains the situation, gives her breakfast and a book of essential information before taking his morning shower. As soon as he’s gone, a man claiming to be her brother arrives, telling her he’s there to rescue her. Like Alice through the looking glass, it’s there that her adventure truly begins.

Watch for our Reviews the day after opening night! If your play is not listed here and you would like it reviewed and advertised on our blog, contact us at swwastar@aol.com.

Friday, March 15, 2013

"HARVEY" to be Seen at Love Street Playhouse

If ol' Peter Cottontail don't hop down the bunny trail to your house this Easter maybe you can see "Harvey" at Woodland's Love Street Playhouse.

The play will run from April 5 through April 21, 7:30 p.m. Fridays and Saturdays and at 2 p.m. Sundays.

When Elwood P. Dowd starts to introduce his imaginary friend, Harvey, a 6 ft rabbit, to guests at a society party, his sister, Veta, has seen as much of his eccentric behavior as she can tolerate.

She decides to have him committed to a sanitarium to spare her daughter, Myrtle Mae, and the family from future embarrassment. Problems arise, however, when Veta herself is mistakenly assumed to be on the verge of lunacy when she explains to Dr. Sanderson that years of living with Elwood's hallucination have caused her to see Harvey also. The doctor commits Veta instead of Elwood, but when the truth comes out, the search is on for Elwood and his invisible companion.

"Harvey" questions what it is to be insane, normal and otherwise odd. It has moments of humor and moments that will cause you to think.

Tickets available online at www.lovestreetplayhouse.com