Showing posts with label C.S. Lewis. Show all posts
Showing posts with label C.S. Lewis. Show all posts

Saturday, June 15, 2013

REVIEW: FPA's "The Screwtape Letters" One Heck of a Good Show


Fellowship for the Performing Arts presented a limited engagement of THE SCREWTAPE LETTERS, the "wickedly funny" theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon’s point of view at the Portland Center for the Performing Arts this weekend.

Screwtape examines a letter.
It was a hit in NYC where it played 309 performances at the Westside Theatre in 2010. Prior to that it ran for six months in Chicago. The Chicago Tribune described THE SCREWTAPE LETTERS as the "most successful show in the history of Chicago's Mercury Theatre." It, also, had two engagements at The Shakespeare Theatre in Washington, D.C. where it played for ten sold-out weeks.


The national tour of THE SCREWTAPE LETTERS will play in over
fifty major cities and performing arts venues through-out the United States. It had three performances this past weekend at the Portland Center for the Performing Arts Newmark Theatre. It continues on elsewhere for he remainder of the tour.

About the Play


The play, set in a eerily stylish office in hell, follows the clever scheming of Satan's chief psychiatrist, Screwtape, as he entices a human 'patient' toward damnation. In this topsy-turvy, morally inverted universe God is the “Enemy” and the Devil is “Our Father below.” The stakes are high as human souls are hell's primary source of food.

The minion, Toadpipe.
As His Abysmal Sublimity Screwtape, award winning actor Brent Harris, creates a “master of the universe” character who mesmerizes the audience as he allures his unsuspecting 'patient' down the “soft, gentle path to Hell.” At his feet is Screwtape's able assistant, Toadpipe, (played alternately by Marissa Molnar and Tamala Bakkensen) a grotesque creature demon, who transforms her elastic body into the paragons of vices and characters Screwtape requires to keep his patient away from the "Enemy."

Max McLean, the show's creator,
in the role of Screwtape.
Along with The Chronicles of Narnia (including "The Lion, the Witch and the Wardrobe," The THE SCREWTAPE LETTERS is still one of Lewis’ most popular and influential works. The book's success is due to its piercing insight into human nature and the lucid and humorous way Lewis makes his readers squirm in self recognition. When first published in 1942 it brought immediate fame to this little-known Oxford don which included being featured on the cover of Time Magazine.

About the Production


The play was adapted and directed by Jeff Fiske and Max McLean, with scenic design by Cameron Anderson, costumes by Michael Bevins, lighting by Jesse Klug, and sound by John Gromada. All done with excellence. I especially enjoyed the technical aspects of the show (and the use of sidelight was the highlight of the overall brilliant design).

Brent Harris (not pictured) played
Screwtapeat this presentation.
This cast consisted of but two players, Brent Harris as Screwtape and Tamala Bakkensen as Toadpide, his minion, both quality performers. The show was dramatic and beautifully executed in every way. Bakkensen was a hoot and her performance was agile and, with just demonic gibberish, quite entertaining.  Harris carries the bulk of the show and is a demanding presence. BUT, in the end, it amounts to a ninety-minute discourse in theology--dramatic as it may be.

I found the play, like the book, heavy handed and difficult. There is not a single C.S. Lewis book that I have read that I liked (be it fiction or non). I like his stories and his intellect, but not his way of telling. Many do, I understand that, for he brings great insight into theology and Christian issues (though I am inclined to disagree with his take on certain issues).

This work is certainly an eye-opener, and though many find it funny, I did not. It cuts to the marrow with its message, so be prepared to look for lessons and be challenged. You should be convicted. It is a creative and stellar work that examines human frailty and the shortcomings of the Christian church (blaming it on demonic influence).



All photographs and video provided.

Monday, June 10, 2013

C.S. Lewis' "Screwtape Letters" Hits the Boards in Portland, Oregon

I WILL be seeing this play Saturday.  And I will review it (in case anyone might want to do it in the future). I'm also announcing this PNW premiere in case you might wish to see it. It has a limited engagement (for this weekend only).


THE SCREWTAPE LETTERS is a smart, provocative and wickedly funny theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon’s point of view.

It was a hit in NYC where it played 309 performances at the Westside Theatre in 2010. Prior to that it ran for six months in Chicago. The Chicago Tribune described THE SCREWTAPE LETTERS as the "most successful show in the history of Chicago's Mercury Theatre." It, also, had two engagements at The Shakespeare Theatre in Washington, D.C. where it played for ten sold-out weeks.

The national tour of THE SCREWTAPE LETTERS will play in over fifty major cities and performing arts venues throughout the United States.

The play, set in a eerily stylish office in hell, follows the clever scheming of Satan's chief psychiatrist, Screwtape, as he entices a human 'patient' toward damnation. In this topsy-turvy, morally inverted universe God is the “Enemy” and the Devil is “Our Father below.” The stakes are high as human souls are hell's primary source of food.

DATES: Fri., June 14, 2013 at 8 p.m. and Sat., June 15, 2013 at 4 p.m. and 8 p.m. - 3 SHOWS ONLY!

PLACE: Newmark Theatre, Portland Center for the Performing Arts, 1037 SW Broadway.

TICKET PRICES*: Tier 1 - $59, Tier 2 - $49, Tier 3 - $39 - Limited time discount offer:

BUY NOW & SAVE $10.00 OFF TIER 1 & 2 TIX! - Use code: HPR10 *Venue facility and service fees will be added to all purchases.

ONLINE: Buy tickets now If you have a promotional code please enter at purchase.

PHONE: TicketsWest: 800.273.1530

IN PERSON: PCPA Main Box Office, 1111 SW Broadway. Hours: 10am-5pm, Mon-Sat.

GROUPS: Call 866.476.8707 for 10 or more tickets. Students: $25*, valid student ID required. *Service fees apply.

Run Time: 90 minutes without intermission. Age Appropriate: 13 and up. Children under 4 will not be admitted into theatre.

Saturday, April 20, 2013

REVIEW: "Shadowlands" Cast Walks Through the Shadow of Death and Suffering Without Fear

Shadowlands, a drama about Narnia author C.S. Lewis by William Nicholson and directed by Rachel Keen will be playing through May 4 at Magenta Theater, located at 606 Main St., Vancouver, Wash.  


The Man Behind Narnia


Clive (Jack) Staples Lewis was a well-respected writer and teacher from England's Oxford University. Much of the subject matter of his books and lectures concern Man’s relationship with God. But his most famous books were the bestselling Narnia collection, many of which have been adapted for film. In fact, he was, also, good friends with J.R.R. Tolkien, writer of the Lord of the Rings books, also filmed. [Shadowlands, too, was made into a movie starring Sir Anthony Hopkins, Debra Winger and Edward Hardwick.]

The story takes place in 1950s Oxford, his home for most of his life. Jack (played by Philip Giesy) and his older brother, Warnie (Bob Lawson), were confirmed bachelors and roomed together. Jack was constantly exploring the relationship between God and Man, questioning why, if there was a God, he would allow so much suffering in the world.

Lewis also had little to do with relationships, in the loving sense, with women. Both these feelings reflected back to losing his mother to cancer at an early age, which was painful for him. He felt the best way to deal with that scenario was to not hold anyone too close, therefore, avoiding the pain when death came calling. That is, until a fan from America, Joy (Shaye Eller), perked his interest into reopening intimate feeling for another.

Eventually they form a warm friendship, and finally love, and they marry. But suffering seems to be a permanent part of Lewis’s life, as cancer, once again, raises its ugly head and invades Joy’s body and bones. A remission sets in, but it is only a short reprieve for the inevitable. The man sworn to keep Love at a distance, to avoid the pain of loss must, once again, deal with it. “Pain is God’s megaphone to wake a deaf world,” he says.

The Actors Behind the Play


Although the play deals with a grim subject matter, it never wallows in the maudlin. This is due, in a large part, to the interpretation of the story by the director, Rachel Keen, and her talented cast. Keen also has the unenviable task of keeping the play flowing, though it takes place over a few years and in many different locations. In both these areas, she does a superior job with quick set changes, a cast playing multiple roles, and finding humor wherever she can.

Publicity Photo provided.
And the actors are universally good. The actors in the key roles of the two Lewis brothers and Joy are well-suited for their roles. Giesy underplays Jack, adding to the mystery of this complicated man. He is not overt in showing his emotions but you see the inner turmoil of this conflicted individual. He is especially effective in his monologues/lectures where he is totally believable and convincing. So convincing, that one audience member was nodding her head and whispering agreements as he was speaking these words.

Lawson also played Warnie in a low-key manner and the loving connection between the two brothers was evident. When they dialogued with each other, there was an air of authenticity and a sense of real conversation between the two. And Eller, as Joy, is impressive on the stage. Having last reviewed her as the detective in Magenta's Something to Hide, she, once again, shines. It is a pleasure to watch her react and enact, giving the impression this is all being done and said for the first time, as it should be.

As to the supporting roles: Josiah Keen as Joy’s son, Douglas, has some nice moments. Mike Nettleton as Christopher, Jack's atheist friend, gives a good account of himself as the bombastic member of the group. Bob Madsen (a local theater veteran) as Harry, the preacher who offers Jack religious homilies, another aspect of Jack’s relationships with friends, also does quite well.

This is a well-written show and should be seen for some very important questions it raises about Love, God and Man’s purpose in Life. Heady questions with no easy answers. It is a story that should create dialogue long after one’s viewing. According to Lewis, although Man has often been rebuked and condemned by God, He has never regarded us with contempt…a complicated relationship, to say the least. 

For further information and tickets, check Magenta's website.

I recommend this show. If you do go, please tell them Dennis sent you.

Dennis Sparks, Guest Reviewer 
www.dennissparksreviews.blogspot.com